The Souths in Her
Black Women Writers and Choreographers and the Poetics of Transmutation
Seiten
2026
Columbia University Press (Verlag)
9780231219679 (ISBN)
Columbia University Press (Verlag)
9780231219679 (ISBN)
Nicole M. Morris Johnson analyzes the intertwined relationship between movement and writing in the works of Zora Neale Hurston, Katherine Dunham, Dianne McIntyre, Maryse Condé, and Ntozake Shange, among others, showing how unexpected encounters with unfamiliar traditions and creative visions of multiple Souths catalyzed formal experimentation.
Since the Middle Passage, the intellectual and physical freedom of Black women in the United States and the Caribbean has been constrained. Yet Black women writers, artists, choreographers, and performers have contested pervasive political, cultural, and discursive silencing by drawing on the traditions and creative visions of multiple Souths: the Southern United States and the Caribbean, as well as Africa.
In The Souths in Her—a phrase borrowed from Ntozake Shange—Nicole M. Morris Johnson shows how key Black women artists transformed the enclosing narrative frames imposed on them, developing new forms of creative expression informed by the lived experiences and submerged histories of women across the Africana southern world. She analyzes the intertwined relationship between movement and writing in the works of Zora Neale Hurston, Katherine Dunham, Dianne McIntyre, Maryse Condé, and Shange, among others. Morris Johnson demonstrates that although the central role of motion reinforced perceptions of primitivity that relegated Black women and the South to a space outside modernity, it was in fact crucial to their formal innovations. For these writers and choreographers, unexpected encounters with unfamiliar traditions and creative visions of multiple Souths catalyzed formal experimentation and movements for liberation. Considering the violence routinely inflicted on Black women alongside their artistic innovations, this book reveals a transmuted South that is rich in techniques for weaving liberatory works. Illuminating Black women’s singular contributions to Black modernity, The Souths in Her offers new frames for understanding their embodied and textual creative expression.
Since the Middle Passage, the intellectual and physical freedom of Black women in the United States and the Caribbean has been constrained. Yet Black women writers, artists, choreographers, and performers have contested pervasive political, cultural, and discursive silencing by drawing on the traditions and creative visions of multiple Souths: the Southern United States and the Caribbean, as well as Africa.
In The Souths in Her—a phrase borrowed from Ntozake Shange—Nicole M. Morris Johnson shows how key Black women artists transformed the enclosing narrative frames imposed on them, developing new forms of creative expression informed by the lived experiences and submerged histories of women across the Africana southern world. She analyzes the intertwined relationship between movement and writing in the works of Zora Neale Hurston, Katherine Dunham, Dianne McIntyre, Maryse Condé, and Shange, among others. Morris Johnson demonstrates that although the central role of motion reinforced perceptions of primitivity that relegated Black women and the South to a space outside modernity, it was in fact crucial to their formal innovations. For these writers and choreographers, unexpected encounters with unfamiliar traditions and creative visions of multiple Souths catalyzed formal experimentation and movements for liberation. Considering the violence routinely inflicted on Black women alongside their artistic innovations, this book reveals a transmuted South that is rich in techniques for weaving liberatory works. Illuminating Black women’s singular contributions to Black modernity, The Souths in Her offers new frames for understanding their embodied and textual creative expression.
Nicole M. Morris Johnson is an assistant professor of English at the University at Buffalo.
Introduction. On Emergence: Sounding Beyond the Womb Abyss
1. On Authoritative Wandering: Hurston and Dunham
2. On Dynamic Suggestion: Hurston and McIntyre
3. On Unincorporable Strange Sound: Condé and Shange
4. On Autofictional Subjectivity: Condé and Kincaid
Conclusion. On Muck Horizons
Acknowledgments
Notes
Bibliography
Index
| Erscheinungsdatum | 14.11.2025 |
|---|---|
| Reihe/Serie | Black Lives in the Diaspora: Past / Present / Future |
| Zusatzinfo | 10 black-and-white illustrations |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Pädagogik | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-13 | 9780231219679 / 9780231219679 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Softcover (2025)
Oxford University Press Inc (Verlag)
CHF 52,35
