Chronicling Lost Legacies
Women Collectors, Patrons, and Tastemakers
Seiten
2026
Brill (Verlag)
978-90-04-72667-3 (ISBN)
Brill (Verlag)
978-90-04-72667-3 (ISBN)
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Chronicling Lost Legacies explores women art collectors and patrons' impact on the United States from colonial times to the twentieth century. It challenges male-dominated narratives and highlights female agency, resilience, and contributions to cultural heritage. Ideal for scholars and enthusiasts.
Chronicling Lost Legacies enhances our understanding of the evolution of artistic taste and cultural heritage institutions within the U.S., highlighting historical narratives of women art collectors and patrons. Organized chronologically and thematically, it covers figures from colonial times to the twentieth century, concluding with insights from feminist historian Laura R. Prieto. The volume illuminates the lives of lesser-known and iconic influential women such as Florence Sloane and Abby Rockefeller, challenging male-dominated narratives and showcasing female agency, resilience, and collecting practices. Ideal for scholars and art enthusiasts, it offers a timely reexamination of the forces that have shaped our cultural institutions.
Chronicling Lost Legacies enhances our understanding of the evolution of artistic taste and cultural heritage institutions within the U.S., highlighting historical narratives of women art collectors and patrons. Organized chronologically and thematically, it covers figures from colonial times to the twentieth century, concluding with insights from feminist historian Laura R. Prieto. The volume illuminates the lives of lesser-known and iconic influential women such as Florence Sloane and Abby Rockefeller, challenging male-dominated narratives and showcasing female agency, resilience, and collecting practices. Ideal for scholars and art enthusiasts, it offers a timely reexamination of the forces that have shaped our cultural institutions.
Samantha Deutch, the Digital Art History Lead at The Frick Art Research Library, has an MA in Art History from Binghamton University and an MS in Library Systems from Rutgers University. Her publications focus on provenance, collecting history, and research methodologies. She serves as series editor for PSUP's Frick Studies in the History of Art Collecting. Margaret R. Laster holds a PhD in Art History from the CUNY Graduate Center and is an independent curator and scholar of American art, specializing in histories of collecting and patronage. Recent publications include Tastemakers, Collectors, and Patrons: Collecting American Art in the Long Nineteenth Century (co-editor, 2024).
| Erscheint lt. Verlag | 19.2.2026 |
|---|---|
| Reihe/Serie | Studies in the History of Collecting & Art Markets ; 22 |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Themenwelt | Kunst / Musik / Theater |
| ISBN-10 | 90-04-72667-5 / 9004726675 |
| ISBN-13 | 978-90-04-72667-3 / 9789004726673 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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