Nocturnes
and the Fascination of Night Music
Seiten
2026
Yale University Press (Verlag)
978-0-300-27889-7 (ISBN)
Yale University Press (Verlag)
978-0-300-27889-7 (ISBN)
- Noch nicht erschienen (ca. März 2026)
- Portofrei ab CHF 40
- Auch auf Rechnung
- Artikel merken
An engrossing history of the music of twilight and sleep, from the nocturnes of Field and Chopin to Max Richter
In an insomniac age, ambient and sleep music have become increasingly popular. But our association between music and sleep is not new: lullabies may be the oldest form of music, and are instantly recognisable across peoples and cultures. Why does the night hold such musical fascination for us, and what forms do its sounds take?
Susan Tomes explores the story of the nocturne, and the music of nighttime in the classical tradition. From John Field’s pioneering, lyrical nocturnes composed in the haunting atmosphere of St Petersburg’s midnight sun, to Chopin’s emotionally complex mastery of the form, composers and musicians have endlessly produced music about the night, in which the piano plays a central part. Tomes offers us a rich cultural history of this expressive, often melancholic, fascinating genre—which has gone on to inspire not just musicians but generations of artists and writers.
In an insomniac age, ambient and sleep music have become increasingly popular. But our association between music and sleep is not new: lullabies may be the oldest form of music, and are instantly recognisable across peoples and cultures. Why does the night hold such musical fascination for us, and what forms do its sounds take?
Susan Tomes explores the story of the nocturne, and the music of nighttime in the classical tradition. From John Field’s pioneering, lyrical nocturnes composed in the haunting atmosphere of St Petersburg’s midnight sun, to Chopin’s emotionally complex mastery of the form, composers and musicians have endlessly produced music about the night, in which the piano plays a central part. Tomes offers us a rich cultural history of this expressive, often melancholic, fascinating genre—which has gone on to inspire not just musicians but generations of artists and writers.
Susan Tomes is an award-winning pianist and writer, renowned as a soloist and chamber musician. She is the author of numerous highly acclaimed books, including The Piano and Women and the Piano.
| Erscheint lt. Verlag | 24.3.2026 |
|---|---|
| Zusatzinfo | 9 b-w illus. |
| Sprache | englisch |
| Maße | 133 x 216 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| ISBN-10 | 0-300-27889-6 / 0300278896 |
| ISBN-13 | 978-0-300-27889-7 / 9780300278897 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
kleine Geschichte eines großen Instruments
Buch | Hardcover (2025)
C.H.Beck (Verlag)
CHF 34,90
Ethik und Konzept im Musikinstrumentenmuseum
Buch | Hardcover (2025)
Hollitzer Wissenschaftsverlag
CHF 43,90
Buch | Hardcover (2025)
Annette Betz im Ueberreuter Verlag
CHF 41,90
