Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 75 (2025)
Brill (Verlag)
978-90-04-71075-7 (ISBN)
The Dutch West India Company – active in Brazil, the Caribbean, North America, and West Africa – has received little art historical attention compared to the considerable scholarship about the Dutch East India Company. Terming the network of outposts connected by their activities the “Dutch Americas”, this volume seeks to account for the material histories undergirded by the activities managed by the Dutch in the Atlantic world. The volume offers new narratives for familiar artists such as Frans Post and Albert Eckhout; interrogates the relationship of understudied geographies and corresponding trade goods to art produced in this period; and integrates perspectives of Indigenous and African makers and viewers.
Contributors: Carrie Anderson, Adam Eaker, Aaron M. Hyman, Carolina Monteiro, Stephanie Porras, Hannah Prescott, Margaux Shraiman, Margot Steurbaut, Jeroen van den Hurk, Michiel van Groesen, Angela Vanhaelen, Edward Wouk, and Rebecca Zorach.
The online version of this volume is available in Open Access. click here for direct access
Aaron M. Hyman is Professor and Chair of early modern art history at the University of Basel. Stephanie Porras is Professor of Art History at Tulane University. Her most recent books include The First Viral Images: Maerten de Vos, Antwerp Print and the Early Modern Globe (2023) and The Routledge Companion to the Global Renaissance (2024), co-edited with Stephen Campbell. Natasha Seaman is Professor of Art History at Rhode Island College and has served on the editorial board of the Nederlands Kunsthistorisch Jaarboek since 2023. She is the co-editor, with Joanna Woodall, of Money Matters in European Art and Literature, 1400–1750 (2022). Edward Wouk is Professor of Art History at The University of Manchester. He is a member of the editorial boards of Nederlands Kunsthistorisch Jaarboek and Renaissance Studies. His publications include Frans Floris (1519/20–1570): Imagining a Northern Renaissance, Marcantonio Raimondi, Raphael, and the Image Multiplied, and Albrecht Dürer’s Material World.
Towards an art history of the Dutch Americas
Aaron M. Hyman and Stephanie Porras
The glazing of Beverwijck’s First Dutch Reformed Church: Colonial power visualized
Margot Steurbaut
Dutch Reformed churches in Colonial North America: To ‘promote godliness in every way’
Jeroen van den Hurk
All things created: Slavery, African knowledge, and material culture in Dutch Brazil (1630-1654)
Carolina Monteiro
A private Atlantic: The Ter Borch family albums as colonial archive
Adam Eaker
Amsterdam, Accra, America: Glass beads, pearls, and ersatz gems in the Dutch Atlantic
Carrie Anderson
A crown made of brass: Dutch piracy and commodifying West African identity in the seventeenth-century transatlantic slave trade
Hannah Prescott
Commercialising Eden: Frans Post’s drawings of the Fortunate Isles
Margaux Shraiman
Displacement : Picturing captive women in Brazil
Angela Vanhaelen
Allegory and allegiance: The Dutch Americas in the imagination of Bonaventura and Gillis Peeters
Michiel van Groesen
Making and unmaking worlds with tëmakwe
Rebecca Zorach
| Erscheinungsdatum | 26.07.2025 |
|---|---|
| Reihe/Serie | Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek ; 75 |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 193 x 260 mm |
| Gewicht | 1042 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 90-04-71075-2 / 9004710752 |
| ISBN-13 | 978-90-04-71075-7 / 9789004710757 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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