An Introduction to Contemporary Aesthetics
Routledge (Verlag)
978-1-032-74348-6 (ISBN)
In contrast to other coursebooks, which are often structured entirely around artforms, this volume frames much of its contents around core aesthetic concepts—like good or bad taste, interpretation, or authenticity—with each chapter devoted to a different concept. Within each chapter, the reader will find a range of engaging artforms and experiences. The contents of the volume are laid out in four parts: the first focuses on foundational questions in aesthetics and the second on key aesthetic concepts. The third part focuses on applied questions relating to particular artforms and genres (e.g., horror, comedy, AI art, games). Finally, the last part of the volume takes a wider, but still practical, view, focusing on why aesthetic life matters to us, both as a society and as individuals.
Key Features
Written in a non-technical style for readers new to aesthetics and with little or no background in philosophy or the study of the arts
Draws on examples readers encounter in everyday life and popular culture, from Drake to Philly cheesesteaks
Deals with questions that concern many college students today: Does authenticity even matter and, if so, why? What’s wrong with enjoying the work of an immoral artist? How are our homes and schools important places of aesthetic meaning?
Each chapter is written as a biased survey, with clear coverage of the historical and contemporary literature on the topic but also from a distinct, subjective point of view
Non-Eurocentric philosophies or examples are included throughout the book, highlighting the rich and diverse philosophical work from around the globe
Discussion Questions offer student readers opportunities to engage more fully with the problems raised in the text
Suggestions for Further Reading at the end of each chapter identify the most promising avenues for further research on the topic
Emmie Malone is Assistant Professor of Philosophy at San Jose State University, USA. She is the author of an open educational history of philosophy coursebook, Inventing Knowledge: A Global & Historical Introduction to Philosophy (2025). Elizabeth Scarbrough is Associate Teaching Professor at Florida International University, USA. Scarbrough currently serves as a trustee of the American Society for Aesthetics and as the co-chair of their Feminist Caucus Committee.
Introduction Part I: Foundational Questions 1. Aesthetic Value 2. Defining Art and Aesthetic Obligations 3. Good and Bad Taste Part II: Key Concepts 4. Interpretation: Is the Author’s Intention Relevant to Work Interpretation? 5. Fiction: Its Nature, Function, and Significance 6. Authenticity: What is it, Does it Matter, and Why? Part III: Applied Aesthetics 7. Uncanny Terrain: Mapping the Landscape of Philosophy of Horror 8. Aesthetic Life in the Digital Age: How Emerging Technologies Affect Creativity, Consumption, and Community 9. Why Play Games?: The Value of Videogames 10. Humor as a Tool (and a Weapon) Part IV: The Value of Aesthetic Life 11. Immoral Art, Immoral Artists, and the Ethical Fan 12. The Ugly Side of Beauty: Personal Beauty, Oppression, and Style 13. There’s No Place Like Home: A Sense of Place in Everyday Aesthetics 14. Existential Aesthetics: Self-Understanding in a Messy World
| Erscheinungsdatum | 17.10.2025 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 680 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geisteswissenschaften ► Philosophie | |
| ISBN-10 | 1-032-74348-4 / 1032743484 |
| ISBN-13 | 978-1-032-74348-6 / 9781032743486 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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