Avant-Garde World Creation
Cosmogony and the Total Work of Art in Europe 1913-1923
Seiten
2025
Routledge (Verlag)
978-1-041-00403-5 (ISBN)
Routledge (Verlag)
978-1-041-00403-5 (ISBN)
This book explores the widespread fascination with world creation among early twentieth century artists, and examines those trends within the European avant-garde.
This book explores the widespread fascination with world creation among early twentieth-century artists and examines those trends within the European avant-garde.
The book reflects on what ‘the world’ looks and feels like before and after World War One—and thus also concerns creativity and destruction alike in the context of modernity. Over the course of three chapters, the author focusses on works in which avant-garde artists combine and experiment with various arts and media to create alternative narratives of the world’s creation. These works include three canonized ‘total works of art’: Der Weltbaumeister (The World’s Master Builder, 1920), an illustrated book imagined as an architectural play by the Expressionist architect Bruno Taut; the Futurist opera Победа над Cолнцем (Victory Over the Sun, 1913) by Aleksei Kruchenykh, Velimir Khlebnikov, Kazimir Malevich and Mikhail Matiushin; and the Cubist ballet La Création du monde (The Creation of the World, 1923) by Blaise Cendrars, Fernand Léger, Darius Milhaud and Jean Börlin. Providing new readings of these classic works that dive deeply into the avant-garde’s inter-artistic search for new modes of mediation as well as its dialogue with science, politics and technology, Abigael van Alst demonstrates how each of these artworks staged a cosmogony—an alternative story of the universe's creation—which, simultaneously, experimentally and critically recounted the story of modernity.
This new book is ideal for researchers and scholars in History of Art, Modernism, and Comparative Literature.
This book explores the widespread fascination with world creation among early twentieth-century artists and examines those trends within the European avant-garde.
The book reflects on what ‘the world’ looks and feels like before and after World War One—and thus also concerns creativity and destruction alike in the context of modernity. Over the course of three chapters, the author focusses on works in which avant-garde artists combine and experiment with various arts and media to create alternative narratives of the world’s creation. These works include three canonized ‘total works of art’: Der Weltbaumeister (The World’s Master Builder, 1920), an illustrated book imagined as an architectural play by the Expressionist architect Bruno Taut; the Futurist opera Победа над Cолнцем (Victory Over the Sun, 1913) by Aleksei Kruchenykh, Velimir Khlebnikov, Kazimir Malevich and Mikhail Matiushin; and the Cubist ballet La Création du monde (The Creation of the World, 1923) by Blaise Cendrars, Fernand Léger, Darius Milhaud and Jean Börlin. Providing new readings of these classic works that dive deeply into the avant-garde’s inter-artistic search for new modes of mediation as well as its dialogue with science, politics and technology, Abigael van Alst demonstrates how each of these artworks staged a cosmogony—an alternative story of the universe's creation—which, simultaneously, experimentally and critically recounted the story of modernity.
This new book is ideal for researchers and scholars in History of Art, Modernism, and Comparative Literature.
Abigael van Alst is a postdoctoral teaching and research assistant at the Art History Insitute of the University of Zurich, Switzerland.
List of Illustrations
Acknowledgements
1. Singular Examples: By way of Introduction
2. The Eighth Day: Bruno Taut’s Der Weltbaumeister (1920)
3. Победа над Cолнцем (1913): A Futurist Cosmogony
4. La Création du monde (1923): A Meta-Cosmogony
5. Ruminating on the Cosmogonic Gesamtkunstwerk: By Way of Conclusion
Index
| Erscheinungsdatum | 01.11.2025 |
|---|---|
| Reihe/Serie | Routledge Research in Art History |
| Zusatzinfo | 12 Halftones, color; 27 Halftones, black and white; 12 Illustrations, color; 27 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 640 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-041-00403-6 / 1041004036 |
| ISBN-13 | 978-1-041-00403-5 / 9781041004035 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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