French Paintings of Childhood and Adolescence, 1848–1886
Seiten
2007
Routledge (Verlag)
978-0-7546-5460-5 (ISBN)
Routledge (Verlag)
978-0-7546-5460-5 (ISBN)
States that the 19th-century representations of childhood and adolescence - in paintings, various forms of visual culture, and in diverse written discourses of the period - are critical for understanding modernity. This book contains chapters structured according to such themes as parent-child relations, modes of discipline, work, and others.
The premise of Anna Green's timely and original book, is that nineteenth-century representations of childhood and adolescence-in paintings, but also in other forms of visual culture and in diverse written discourses of the period-are critical for understanding modernity. Whilst such well-worn signifiers for modernity as the city, the dandy and the prostitute have been well mined, childhood and adolescence have not. Paintings of the young produced in France from 1848 to 1886, Green contends, inform not only our understanding of modern life but also our perception of modernist or avant-garde painting. Figuring largely are Manet and the Impressionists, as well as a gamut of more traditional painters of children who are crucial in providing context for the avant garde. Because modernity is an essentially urban phenomenon, Green's focus is primarily on the city, usually Parisian, child. The painted youth of her study are organized initially by class and gender. Then the chapters are structured according to themes (parent-child relations, modes of discipline, work, education, and play, the spectacle, sexuality) that straddle the congruences among the book's triple trajectory: the young, their modernist representations, and the experience of modernity. Green's interdisciplinary approach ensures that this book will be of interest not only to art historians but to all those concerned with the cultural and social history of childhood.
The premise of Anna Green's timely and original book, is that nineteenth-century representations of childhood and adolescence-in paintings, but also in other forms of visual culture and in diverse written discourses of the period-are critical for understanding modernity. Whilst such well-worn signifiers for modernity as the city, the dandy and the prostitute have been well mined, childhood and adolescence have not. Paintings of the young produced in France from 1848 to 1886, Green contends, inform not only our understanding of modern life but also our perception of modernist or avant-garde painting. Figuring largely are Manet and the Impressionists, as well as a gamut of more traditional painters of children who are crucial in providing context for the avant garde. Because modernity is an essentially urban phenomenon, Green's focus is primarily on the city, usually Parisian, child. The painted youth of her study are organized initially by class and gender. Then the chapters are structured according to themes (parent-child relations, modes of discipline, work, education, and play, the spectacle, sexuality) that straddle the congruences among the book's triple trajectory: the young, their modernist representations, and the experience of modernity. Green's interdisciplinary approach ensures that this book will be of interest not only to art historians but to all those concerned with the cultural and social history of childhood.
Anna Green is Lecturer in Art History at the University of East Anglia, and at Department of Art History, Norwich University College of the Arts, UK
Contents: Introduction; Manet's Music in the Tuileries Gardens: childhood - modernity - Paris; Working children, dangerous children; Spectacular girls: young Parisiennes of the streets and stage; 'Good little girls': 'eternal immaturity'; 'To make men of her sons': constructs of masculinity; Boys will be boys: childhood, sex, and adolescence; 'Inside the dark continent': hysterical pleasures; Conclusion: 'the child is father of the man'; Bibliography; Index.
| Erscheint lt. Verlag | 23.8.2007 |
|---|---|
| Reihe/Serie | Studies in Childhood, 1700 to the Present |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 880 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 0-7546-5460-5 / 0754654605 |
| ISBN-13 | 978-0-7546-5460-5 / 9780754654605 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
kleine Kulturgeschichte einer brillanten Allianz
Buch | Softcover (2025)
Iudicium (Verlag)
CHF 33,90
