Soul Covers

Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow)

Michael Awkward (Autor)

Buch | Hardcover

280 Seiten

2007
Duke University Press (Verlag)
978-0-8223-3980-9 (ISBN)

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Soul Covers is an engaging look at how three very different rhythm and blues performers-Aretha Franklin, Al Green, and Phoebe Snow-used cover songs to negotiate questions of artistic, racial, and personal authenticity. Through close readings of song lyrics and the performers’ statements about their lives and work, the literary critic Michael Awkward traces how Franklin, Green, and Snow crafted their own musical identities partly by taking up songs associated with artists such as Dinah Washington, Hank Williams, Willie Nelson, George Gershwin, Billie Holiday, and the Supremes.Awkward sees Franklin’s early album Unforgettable: A Tribute to Dinah Washington, released shortly after Washington’s death in 1964, as an attempt by a struggling young singer to replace her idol as the acknowledged queen of the black female vocal tradition. He contends that Green’s album Call Me (1973) reveals the performer’s attempt to achieve formal coherence by uniting seemingly irreconcilable aspects of his personal history, including his career in popular music and his religious yearnings, as well as his sense of himself as both a cosmopolitan black artist and a forlorn country boy. Turning to Snow’s album Second Childhood (1976), Awkward suggests that through covers of blues and soul songs, Snow, a white Jewish woman from New York, explored what it means for non-black enthusiasts to perform works considered by many to be black cultural productions. The only book-length examination of the role of remakes in American popular music, Soul Covers is itself a refreshing new take on the lives and work of three established soul artists.

Michael Awkward is Gayl A. Jones Collegiate Professor of Afro-American Literature and Culture at the University of Michigan. He is the author of Scenes of Instruction: A Memoir, also published by Duke University Press; Negotiating Difference: Race, Gender, and the Politics of Positionality; and Inspiriting Influences: Tradition, Revision, and Afro-American Women’s Novels.

Acknowledgments ix
Preface: "How the Parts Relate to the Whole" xiii
Introduction: "I Live in the Lyrics": On Truth, Intent, Image, Identity, and Song Covers 1
"She's the Next One": Aretha Franklin's Unforgettable: A Tribute to Dinah Washington and the Black Women's Vocal Legacy 25
"Something like Wholeness": Al Green's Call Me and the Struggle for Thematic Integrity 81
"Miss Snow, Are You Black?": Second Childhood and the Cultural Politics of Musical Style in the Post-Civil Rights Era 137
Coda: "Going Home" 201
Notes 213
Bibliography 225
Index 235

Erscheint lt. Verlag	4.5.2007
Reihe/Serie	Refiguring American Music
Zusatzinfo	3 illustrations
Verlagsort	North Carolina
Sprache	englisch
Gewicht	526 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Jazz / Blues
ISBN-10	0-8223-3980-3 / 0822339803
ISBN-13	978-0-8223-3980-9 / 9780822339809
Zustand	Neuware