American Narrative Realism
The Novel, Film, Television, and Theater
Seiten
2025
Cambridge University Press (Verlag)
978-1-009-66009-9 (ISBN)
Cambridge University Press (Verlag)
978-1-009-66009-9 (ISBN)
Realism has been disparaged for over a hundred years as an outmoded form, and, more recently, as a pernicious illusion, typical of nineteenth-century novels and Hollywood movies alike. American Narrative Realism shows why both views are wrong, demonstrating the vitality of realism in contemporary narratives across media.
Realism has been disparaged for over a hundred years as an outmoded form, and, more recently, as a pernicious illusion, typical of nineteenth-century novels and Hollywood movies alike. After a long period of disrepute, realism has had in recent years something of a revival among critics and theorists. Yet this revival still represents a minority, and much of the old critique of realism remains taken for granted. This book treats realism as a persistent aspect of narrative in American culture, especially after World War II. It does not seek to elevate realism above other forms of fictional narrative – that is, to restore it to some real or imagined past supremacy. Rather, the goal is to reclaim realism as a narrative practice that has remained vital despite a long history of critical disapproval, by showing how it functions in significant recent works across media.
Realism has been disparaged for over a hundred years as an outmoded form, and, more recently, as a pernicious illusion, typical of nineteenth-century novels and Hollywood movies alike. After a long period of disrepute, realism has had in recent years something of a revival among critics and theorists. Yet this revival still represents a minority, and much of the old critique of realism remains taken for granted. This book treats realism as a persistent aspect of narrative in American culture, especially after World War II. It does not seek to elevate realism above other forms of fictional narrative – that is, to restore it to some real or imagined past supremacy. Rather, the goal is to reclaim realism as a narrative practice that has remained vital despite a long history of critical disapproval, by showing how it functions in significant recent works across media.
David R. Shumway is Professor of English, and Literary and Cultural Studies at Carnegie Mellon University. He is the author of Rock Star: The Making of Musical Icons from Elvis to Springsteen (2014), John Sayles (2012), Modern Love: Romance, Intimacy, and the Marriage Crisis (2003), Creating American Civilization: A Genealogy of American Literature as an Academic Discipline (1994), and Michel Foucault (1989).
1. Redefining realism; 2. Howard Hawks and the illusion of classic era realism; 3. Print fiction: the persistence of realism in Updike's Rabbit novels; 4. Theatrical realism and August Wilson's century cycle; 5. Realism and long-form TV: The Wire; Conclusion: realism, its others, and climate fiction.
| Erscheinungsdatum | 25.11.2025 |
|---|---|
| Reihe/Serie | Cambridge Studies in American Literature and Culture |
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Gewicht | 398 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-009-66009-8 / 1009660098 |
| ISBN-13 | 978-1-009-66009-9 / 9781009660099 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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