Memory, Masculinity and National Identity in British Visual Culture, 1914–1930
Routledge (Verlag)
978-0-7546-6017-0 (ISBN)
With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.
Gabriel Koureas is Associate Lecturer at Birkbeck College, University of London, UK. His research interests are in the construction of gender and national identities in relation to conflict. He is currently working on the role of visual culture in reconciling ethnic conflict.
Contents: Chapter One: Ritual, Ceremonial, Order And The Aesthetics Of Simplicity: Defining the Ideal Memorial; Bolshevism and the Returning Ex-Servicemen; Ceremonial, Ritual and Simplicity; Silence; The Cenotaph; Simplicity and Uniformity: The Imperial War Graves. Chapter Two: Class Conflict, The New Man And The Picturesque Soldier: The 1919 NUR Strike; The New Man; The Central Labour College; Banners and Revolution; The London and North Western Railway Memorial; The Picturesque Soldier; Unconquerable manhood; Fear, Attention and Discipline; Silence, Stillness and Discipline. Chapter Three: Abjection, Idealisation, Trauma And Acting Out Of Masculinitites In The Inter-War Years: Controversy: The Man Constructed - The Gun, Gunner and the Ideal Man; The Symbiosis of Gun and Gunner; The Abjected Inside; Trauma and Class; Trauma and Sexuality; Acting Out - The Case of Lieut. Col.; Graham Seton Hutchison; Reconstructing the Man. Chapter Four: Unveiling Polished Guns / Veiling Fragile Masculinities: Establishing the Imperial War Museum; Personal / Public. Collecting Souvenirs for the IWM; Collecting mammals; Collecting , Authenticating, and Containing the Trauma of War; The War Photographic Album; Recycling Guns; Exhibiting Guns; The Memorial to the Fallen; Conclusion. Bibliography. Archival Sources. Newspapers and Periodicals. Primary Sources; Index.
| Erscheint lt. Verlag | 28.2.2007 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 0-7546-6017-6 / 0754660176 |
| ISBN-13 | 978-0-7546-6017-0 / 9780754660170 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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