The Visual Culture Reader
Routledge (Verlag)
978-0-415-14134-5 (ISBN)
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Visual culture is concerned with visual events in which information, meaning or pleasure is sought by the consumer in the encounter with visual artefacts, from oil paintings to the internet. The diverse essays collected here constitute a comprehensive exploration of the emerging interdisciplinary field of visual culture, and examine why modern and postmodern culture place such a premium on rendering experience in visual form.
A Visual Reader: Contents Introductions/Provocations Nicholas Mirzoeff, 'What is Visual Culture?' Irit Rogoff, 'Studying Visual Culture.' Ella Shohat and Robert Stam, 'Narrativizing Visual Culture: Towards a Polycentric Aesthetics.' 1. A Genealogy of Visual Culture: From Art to Culture Rene Descartes, 'Optics', from The Discourse on Method Martin Jay, 'The Scopic Regimes of Modernity.' Roland Barthes,, 'The Rhetoric of the Image.' Griselda Pollock, 'Modernity and the Spaces of Femininity.' Carol Duncan, 'The Modern Art Museum.' James Clifford, 'On Collecting Art and Culture.' Paul Virilio, from The Vision Machine 2. Visual Culture and Everyday Life Marshall McLuhan, 'Woman in a Mirror.' Ann Reynolds, 'Visual Stories.' Michel de Certeau, from The Practice of Everyday Life. John Fiske, 'Videotech.' Marita Sturken, 'The Wall, the Screen and the Image: The Vietnam Veteran's Memorial.' 3. Virtuality: Virtual Bodies, Virtual Spaces (a) The Virtual Body Donna Haraway, 'The Persistence of Vision.' Lisa Cartwright, 'Science and the Cinema.' Susan Bordo, 'Reading the Slender Body.' Ann Balsamo, 'On the Cutting Edge: Cosmetic Surgery and the Technological Production of the Gendered Body.' (b) Virtual Spaces Michel Foucault, 'Of Other Spaces.' Jonathan Crary, from Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Anne Friedberg, from Window Shopping: Cinema and the Postmodern. Mary-Louise Pratt, from Imperial Eyes: Travel-Writing and Transculturation. Geoffrey Batchen, 'Spectres of Cyberspace.' 4. Race and Identity in Colonial and Postcolonial Culture (a) Visual Colonialism Timothy Mitchell, 'Orientalism and the Exhibitionary Order.' Anne McClintock, 'Soft-Soaping Empire: Commodity Racism and Imperial Advertising.' Malek Alloula, from The Colonial Harem. Suzanne Preston Blier 'Vodun Art, Social History and the Slave Trade.' (b) Visualizing Race and Identity Paul Gilroy, 'Art of Darkness: Black Art and the Problem of Belonging to England.' Bell Hooks, 'Representing Whiteness: Seeing Wings of Desire.' Andrew Ross, 'The Gangsta and the Diva.' (c) Identity and Transculture Adrian Piper, 'Passing for White, Passing for Black.' Coco Fusco, 'The Other History of Intercultural Performance.' Nestor Garcia Canclini, 'Remaking Passports: Visual Thought in the Debate on Multiculturalism.' Oriana Baddeley, 'Engendering New Worlds: Allegories of Rape and Reconciliation.' 5. Gender and Sexuality (a) The Gaze and Sexuality Anthea Callen, 'Ideal Masculinities: An Anatomy of Power.' Tamar Garb,
| Erscheint lt. Verlag | 12.11.1998 |
|---|---|
| Zusatzinfo | 3 Tables, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Gewicht | 1202 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-415-14134-6 / 0415141346 |
| ISBN-13 | 978-0-415-14134-5 / 9780415141345 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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