Encountering Boris Nieslony
Routledge (Verlag)
978-1-032-93685-7 (ISBN)
Through the lens of mentoring, hosting, caring and living and learning together, this behind-the-scenes glimpse maps the complex life of Boris Nieslony and illustrates his presence with performance art over the past 40 years. Here readers come to better understand Nieslony’s true interest in the relationships between the pedagogy of performance, and its tendency to overlap with concept of being in the world; how it overlaps, compliments, and calls for change within both traditional and non-traditional learning environments.
This study will be of great interest to both performance art professionals and educators.
Michael W. Barrett teaches art history and performs extensively worldwide, including Austria, Czechia, England, France, Germany, Italy, Mexico, Netherlands, Poland, and Switzerland. His research interests explore the transformative capacity of performance art in the context of the 21st century. By examining, assessing, and archiving specific locations, artists, and performances, his investigation seeks to understand how performance art continues to emerge as a revolutionary and influential force, challenging conventional notions of art, identity, activism, and pedagogy.
1. Introduction
2. Performance Art As…
3. How, Who, and Why?
4. Encountering Boris Nieslony
5. Sketching a Portrait of Boris Nieslony
6. Educational Implications and Final Thoughts
Appendices
Index
| Erscheinungsdatum | 25.10.2025 |
|---|---|
| Reihe/Serie | Routledge Advances in Theatre & Performance Studies |
| Zusatzinfo | 1 Tables, black and white; 29 Halftones, black and white; 29 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 480 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| ISBN-10 | 1-032-93685-1 / 1032936851 |
| ISBN-13 | 978-1-032-93685-7 / 9781032936857 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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