Purcell Manuscripts
The Principal Musical Sources
Seiten
2006
Cambridge University Press (Verlag)
978-0-521-02811-0 (ISBN)
Cambridge University Press (Verlag)
978-0-521-02811-0 (ISBN)
An in-depth analysis of Purcell manuscripts to take full account of their physical features as well as their musical content. It is a significant reference tool,which sheds light on the chronology of composition, cataloguing major sources, evaluating copyists and examining Purcell's handwriting.
Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.
Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.
Preface; Acknowledgements; 1. Introduction: manuscript sources and Purcell's music; 2. Fitzwilliam Museum Music MS 88 and three principal concordances; 3. British Library Additional MS 30930 and its repertories; 4. British Library Royal Music 20.h.8 and its repertories; 5. Performing materials from the London sacred establishments and other sacred sources; 6. Music for the theatre; 7. Vocal, keyboard and instrumental music; Appendix 1. Identified copyists and early owners; Appendix 2. Unidentified copyists; Bibliography; Indexes.
| Erscheint lt. Verlag | 2.11.2006 |
|---|---|
| Zusatzinfo | 32 Printed music items; 86 Tables, unspecified |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 188 x 245 mm |
| Gewicht | 672 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| ISBN-10 | 0-521-02811-6 / 0521028116 |
| ISBN-13 | 978-0-521-02811-0 / 9780521028110 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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