Anton Webern at the Dawn of Modernism
Seiten
2025
Cambridge University Press (Verlag)
9781009453691 (ISBN)
Cambridge University Press (Verlag)
9781009453691 (ISBN)
The first extended account of Webern's tonal music, this book provides fresh glimpses into the intellectual fabric of European modernism and its concept of 'earliness' and sheds new light on this pivotal figure. Bringing analytical insights into dialogue with new biographical and philological perspectives, it will be valuable across the humanities.
Anton Webern is recognised as one of the pivotal figures of atonality and precursors to post-war serialism. However, his earlier, tonal works have been largely neglected and shrouded in clichés. A study of both the generative elements of Webern's aesthetic imagination, and the philosophical signatures of musical modernity, this first book-length account of Webern's tonal music explores the complex and variegated ways in which the young composer engaged with, and sought to contribute to, the cultural discourses of fin-de-siècle modernism, well before he self-consciously embarked upon his famous 'path' to the New Music. While acknowledging the rapid stylistic transformation that Webern's musical language underwent, the author suggests that earliness in Webern is not simply a chronological term but is rather best understood in terms of a constitutive tension between phenomenological and dialectical modes of musical thought.
Anton Webern is recognised as one of the pivotal figures of atonality and precursors to post-war serialism. However, his earlier, tonal works have been largely neglected and shrouded in clichés. A study of both the generative elements of Webern's aesthetic imagination, and the philosophical signatures of musical modernity, this first book-length account of Webern's tonal music explores the complex and variegated ways in which the young composer engaged with, and sought to contribute to, the cultural discourses of fin-de-siècle modernism, well before he self-consciously embarked upon his famous 'path' to the New Music. While acknowledging the rapid stylistic transformation that Webern's musical language underwent, the author suggests that earliness in Webern is not simply a chronological term but is rather best understood in terms of a constitutive tension between phenomenological and dialectical modes of musical thought.
Sebastian Wedler is Assistant Professor of Musicology at Utrecht University. He has contributed chapters to The Cambridge Companion to Music and Romanticism (2021) and The Cambridge Companion to Serialism (2023).
Chronology of Webern's early musical life; Music examples; Figures; Tables; Acknowledgments; Note on sources; Note on translations and quotations; Glossary of selected music analytical terms and symbols; Introduction; 1. Prelude: earliness as a historiographical category; 2. Moving moods; 3. Zarathustrian transfigurations; 4. Interlude: earliness as an aesthetic category; 5. Lyrical temporality; 6. Impulsive agitations; 7. Envoicing absence; 8. Postlude: earliness as a biographical category; Bibliography; Index.
| Erscheinungsdatum | 27.08.2025 |
|---|---|
| Reihe/Serie | Music in Context |
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Gewicht | 589 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| ISBN-13 | 9781009453691 / 9781009453691 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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