Contemporary Post-Production
Routledge (Verlag)
978-1-032-75270-9 (ISBN)
This text addresses key questions about the editor’s role in shaping a story, the roles of various members of the post-production team, when and how to delegate to specialists, and how to engage in the most efficient and constructive conversations with them. Another key focus is on career pathways, with each featured filmmaker sharing how they broke into the editing field and offering advice on building a lasting career.
The featured filmmakers reflect a diversity of life experiences and work, and their interviews shed light on the people behind the process. They provide guidance on cutting-edge tools, such as the most essential software to know, how they incorporate GenAI into their work, and how they utilize remote workflows. A brief look at the past offers valuable context for understanding the future, including a section on key innovators in film history. Examples include Alice Guy-Blaché’s pioneering use of sync sound and Oscar Micheaux’s re-editing techniques to navigate censorship – stories that illustrate past innovations and continue to inspire today’s filmmakers to push creative and technical boundaries.
Each technical chapter includes class activities and exercises to help readers practice specific skills. Additional resources provide ample opportunities for continued learning.
This book serves as an invaluable resource for students in post-production courses and anyone looking to enter the industry or refine their skills.
Melanie La Rosa is an award-winning filmmaker, film professor, and advocate for diversity in media. A 2022 Public Voices Fellow on the Climate Crisis with the OpEd Project and Yale Program on Climate Change Communication, her films have screened internationally and broadcast on PBS. Her work has won funding from NYSCA, Queens Council on the Arts, Brooklyn Arts Council, and Solutions Journalism Network. Her films include "How To Power A City," "The Poetry Deal: a Film with Diane DiPrima," and "Sir: Just A Normal Guy." Her articles appear in World War Zero, The Progressive, and Gateway Journalism Review, among other publications.
Acknowledgments
1. Introduction
2. The Who, What, and Why for this Book
Part 1: PRACTICAL SKILLS
3. Create
4. Cut
5. Collaborate
6. Sound
7. Score
8. Color
9. Transcripts, Captions, and Subtitles
10. Exhibit and Deliver
Part 2: CREATIVE AESTHETICS
11. Interview: Aashish Kumar – ”Body, Home, World”
12. Interview: Allie Sultan and Ryan Rehnborg – “Incognita’s Infamous Adventures”
13. Interview: Carla Gutíerrez – “FRIDA”
14. Interview: Zeb Achonu – “White Nanny Black Child”
Part 3: THE INDUSTRY
15. Looking Back To Look Forward
15a. Alice Guy-Blaché
15b. Oscar Michaeux
16. Emerging Issues in the Edit Room
Part 4: APPENDIXES: ACTIVITIES, CHARTS, AND SUPPLEMENTAL MATERIALS
Appendix 1. Story forms
Appendix 2. Ocean University Sample “Introductory Briefing”
Appendix 3. Class activity: Editor and Story Choices
Appendix 4. Class Activity: Create and Edit a Story
Appendix 5. Daily Logs and Naming Conventions
Appendix 6. Post-Production Workflow Guide
Appendix 7. Post-Production Guide by Form
Appendix 8. What Are We Going to Do About AI? Use It? Fear It?
ADDITIONAL SECTIONS:
i. Citations
ii. Image Credits
iii. Additional Resources
iv. Index
| Erscheinungsdatum | 04.06.2025 |
|---|---|
| Zusatzinfo | 9 Tables, black and white; 20 Halftones, color; 12 Halftones, black and white; 20 Illustrations, color; 12 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 640 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| ISBN-10 | 1-032-75270-X / 103275270X |
| ISBN-13 | 978-1-032-75270-9 / 9781032752709 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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