Bach: The Cello Suites
Seiten
2025
Cambridge University Press (Verlag)
9781316511770 (ISBN)
Cambridge University Press (Verlag)
9781316511770 (ISBN)
Cellists worldwide, from beginners to international soloists, all play J. S. Bach's Cello Suites. This book offers an engaging, readable guide to how and why Bach composed these extraordinarily original pieces. Once dismissed as mere curiosities, they now occupy a central place in concert life and the broader cultural imagination.
Originally dismissed as curiosities, J. S. Bach's Cello Suites are now understood as the pinnacle of composition for unaccompanied cello. This handbook examines how and why Bach composed these highly innovative works. It explains the characteristics of each of the dance types used in the suites and reveals the compositional methods that achieve cohesion within each suite. The author discusses the four manuscript copies of Bach's lost original and the valuable evidence they contain on how the Suites might be performed. He explores how, after around 1860, the Cello Suites gradually entered the concert hall, where they initially received a mixed critical and audience reception. The Catalan cellist Pablo Casals extensively popularized them through his concerts and recordings, setting the paradigm for several generations to follow. The Cello Suites now have a global resonance, influencing music from Benjamin Britten's Cello Suites to J-pop, and media from K-drama to Ingmar Bergman's films.
Originally dismissed as curiosities, J. S. Bach's Cello Suites are now understood as the pinnacle of composition for unaccompanied cello. This handbook examines how and why Bach composed these highly innovative works. It explains the characteristics of each of the dance types used in the suites and reveals the compositional methods that achieve cohesion within each suite. The author discusses the four manuscript copies of Bach's lost original and the valuable evidence they contain on how the Suites might be performed. He explores how, after around 1860, the Cello Suites gradually entered the concert hall, where they initially received a mixed critical and audience reception. The Catalan cellist Pablo Casals extensively popularized them through his concerts and recordings, setting the paradigm for several generations to follow. The Cello Suites now have a global resonance, influencing music from Benjamin Britten's Cello Suites to J-pop, and media from K-drama to Ingmar Bergman's films.
Edward Klorman is a violist and scholar active at the intersection of music analysis, historical musicology, and music performance. He is professor of Music at the University of Wisconsin–Madison's Mead Witter School of Music. He is the author of two books, Mozart's Music of Friends and Bach: The Cello Suites, both from Cambridge University Press.
List of figures; List of examples; List of tables; Preface; Acknowledgements; 1. Contexts: Cöthen, French style, 'opus' collections and the cello; 2. Dance types, preludes and analytical perspectives; 3. The four manuscript copies; 4. Transmission, performance and reception, 1720–c. 1900; 5. Pablo Casals and the Cello Suites in the cultural imagination; Bibliography; Index.
| Erscheinungsdatum | 02.09.2025 |
|---|---|
| Reihe/Serie | New Cambridge Music Handbooks |
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Gewicht | 500 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| ISBN-13 | 9781316511770 / 9781316511770 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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