Katharina Grosse. In Conversation with Klaus Dermutz
• Unusual insights into her work and thinking
• Unknown images from her archives
Over a period of two years, Katharina Grosse and authorKlaus Dermutz met in the artist's Berlin studio to conducta series of very concentrated, lengthy conversations.This volume brings together ten in-depth interviewsthat delve deeper into central themes of Grosse'sartistic work, such as the haptic image, the border, reversal,repetition without origin, interruption, the visible andthe invisible, and time.
KATHARINA GROSSE (*1961 in Freiburg i. Br.) has held professorships at Weißensee Kunsthochschule Berlin (2000-09) and Kunstakademie Düsseldorf (2010-18). Her works are represented in numerous international collections. Most recently, the Albertina in Vienna presented her solo exhibition Why Three Tones Do Not Form a Triangle, 2023-24) and currently the Centre Pompidou - Metz is staging three large-scale in-situ works (Déplacer les étoiles, until February 2025). Grosse lives and works in Berlin and New Zealand.
KLAUS DERMUTZ (*1960 in Judenburg, Austria) is an author and publicist in the fields of visual arts and theater. Since 1990, he has published in Die Zeit, Süddeutsche Zeitung, Theater heute, and others; from 2001-09 he was co-editor of Edition Burgtheater. He has written numerous books on theater, e.g., on Andrea Breth, Otto Sander, Klaus Michael Grüber, Christoph Marthaler, Peter Zadek; he has also published of a volume of conversations with Anselm Kiefer.
Cover
Halftitle
Titlepage
Contents
Foreword
Exhibition views Deichtorhallen Hamburg
“I am on an equal footing with all the elements”
“Arrivals and departures move me the most emotionally”
“The interruption is central in my work”
“The leap is the decisive thing”
“A tree could be a paintbrush”
“The earth is immediately manifest in my system”
“The fold is a great element”
“Vehemence is performed in my work”
“The image always speaks to me in a different language”
“It’s like superimposing a thin, quiet voice over and over again”
“The perception of speechlessness in the face of existence”
Dedication and Acknowledgments
Photo Credits
Imprint
Publication
| Erscheinungsdatum | 04.07.2025 |
|---|---|
| Reihe/Serie | Hatje Cantz Text ; 39 |
| Co-Autor | Katharina Grosse |
| Mitarbeit |
Designer: Neil Holt |
| Sprache | englisch |
| Maße | 142 x 210 mm |
| Gewicht | 374 g |
| Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
| Schlagworte | Arbeitsweise Katharina Grosse • Archival material art book • Artist dialogue book • artist interviews • Contemporary painting theory • Deichtorhallen Hamburg • Farben • Female contemporary artists • Gespräche • Gespräche mit Katharina Grosse • Gespräche über Kunst und Zeit • Hatje Cantz Text Reihe • Interviews • Katharina Grosse • Katharina Grosse Buch • Klaus Dermutz • Künstlerbuch Katharina Grosse • Künstlerinterviews Malerei • Kunsttheorie Katharina Grosse • Kunst und Sichtbarkeit • Malerei der Gegenwart • Painting and perception • Raum und Farbe Grosse • Spatial painting • Unveröffentlichtes Bildmaterial • Wunderbild • Zeitgenössische Kunst • Zeitgenössische Malerei Denken |
| ISBN-13 | 9783775759489 / 9783775759489 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
