German Jazz Guitars
The Archtop Guitar in Post-War Central Europe
Seiten
2025
Unicorn Publishing Group (Verlag)
978-1-916846-69-2 (ISBN)
Unicorn Publishing Group (Verlag)
978-1-916846-69-2 (ISBN)
Most guitarists today think of the USA as the land of the guitar. Classical guitars come from Spain but rock, jazz and folk guitars must surely be American? They know the ‘great’ names – Gibson, Epiphone, Fender, Gretsch, Martin but few non-German speakers know that Bohemia and neighbouring Saxony, where Christian Friedrich Martin was born in 1796, produced for over three centuries a massive proportion of the world’s stringed instruments – lutes, fiddles, cellos, double basses and guitars.
Authors Cameron Brown and Stefan Lob are two of the world’s experts on the subject and this book, the first in the English language, is informed by many years of research.
The Bate Collection is a museum of musical instruments at the University of Oxford and it owns a collection of 110 guitars donated by Cameron Brown. Half of them were made by German speaking Czech craftsmen expelled from their homeland after the Second World War, resettling in Bavaria, the other half by their former neighbours in Saxony, now behind the Iron Curtain in East Germany.
This book shows the complete collection (and more), summarises the socio-political background and the way it led to the decline – and almost the extinction – of what was once the most productive centre of stringed-instrument making in the world, plus a unique guide to help collectors identify the makers of their instruments.
Authors Cameron Brown and Stefan Lob are two of the world’s experts on the subject and this book, the first in the English language, is informed by many years of research.
The Bate Collection is a museum of musical instruments at the University of Oxford and it owns a collection of 110 guitars donated by Cameron Brown. Half of them were made by German speaking Czech craftsmen expelled from their homeland after the Second World War, resettling in Bavaria, the other half by their former neighbours in Saxony, now behind the Iron Curtain in East Germany.
This book shows the complete collection (and more), summarises the socio-political background and the way it led to the decline – and almost the extinction – of what was once the most productive centre of stringed-instrument making in the world, plus a unique guide to help collectors identify the makers of their instruments.
With an MA in German, Cameron Brown, a retired author and publisher and former merchant bank director has also performed as a musician throughout his adult life. He travelled regularly to East Germany during his banking career. Stefan Lob, also a musician, has an important collection of mid-20th century archtop guitars and has distilled 25 years of research into his world-renowned website.
| Erscheinungsdatum | 14.05.2025 |
|---|---|
| Co-Autor | Stefan Lob |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 280 x 220 mm |
| Gewicht | 1678 g |
| Themenwelt | Kunst / Musik / Theater ► Antiquitäten |
| Kunst / Musik / Theater ► Design / Innenarchitektur / Mode | |
| Kunst / Musik / Theater ► Musik ► Instrumentenkunde | |
| ISBN-10 | 1-916846-69-6 / 1916846696 |
| ISBN-13 | 978-1-916846-69-2 / 9781916846692 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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