From Art Nouveau to Surrealism
Maney Publishing (Verlag)
978-1-904350-64-4 (ISBN)
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Nathalie Aubert is Reader in French at Oxford Brookes University; Pierre-Philippe Fraiture is Senior Lecturer in French at the University of Warwick; Patrick McGuinness is Reader in French and Comparative Literature at the University of Oxford, and a Fellow of St Anne's College.
Introduction: Distance, Doubleness and Negation in the Belgian Avant-gardes Part I 1. Belgian Literature and the Symbolism of the Double 2. Maeterlinck and the Search for Music 3. On the Art of Crossing Borders: The Double Artist in Belgium, between Myth and Reality 4. Belgian 'Negro' Fiction: Modernist Itinerary of a Didactic Genre Part II 5. Modernity and Politics 6. Representation and Subjectivity: Belgian Playwrights and Modernity 7. A Sulphurous Time: Les contes du whisky by Jean Ray, a Translation of 'les Années Folles' 8. Belgian Photography between the Two World Wars, or the Hesitations between Late Pictorialism and the New Vision 9. Hergé–Simenon, Thirties 10. A Road Story of the Belgian Avant-Garde 11. The Avant-Garde on the Reworking of Tradition 12. Tranquil Independence': National Identity and Musical Modernity in Belgium between the Wars 13. Surrealism in Belgium between the Wars 14. Twenty years on — Distances: Belgian and French Surrealists and 'the' Revolution 15. The Splendours of Hatred: Louis Scutenaire between Surrealism and Situationism
| Erscheint lt. Verlag | 19.7.2007 |
|---|---|
| Verlagsort | Leeds |
| Sprache | englisch |
| Maße | 170 x 247 mm |
| Gewicht | 920 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-904350-64-X / 190435064X |
| ISBN-13 | 978-1-904350-64-4 / 9781904350644 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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