Bruckner's Fourth
Oxford University Press Inc (Verlag)
978-0-19-776566-1 (ISBN)
Anton Bruckner's Fourth Symphony is one of the most beloved and frequently performed works in the orchestral repertoire. Despite this, a great deal about the work and its genesis has been either unknown, poorly understood, or starkly misrepresented. The work's extraordinary history is the source of much of this confusion. Bruckner worked on the Fourth over fifteen years before he finally published the score in 1889. During the process, he created several earlier versions of the work, which remained unknown until decades after his death. The first attempts to comprehend the work's compositional history were made by German scholars in the 1930s, but these not only proved partial but sowed the seeds of a long tradition of misunderstanding. This book offers the first complete and coherent account, which draws upon numerous previously overlooked sources, of the extraordinary compositional evolution of this magnificent symphony. What emerges is the story of Bruckner's remarkable efforts to produce a symphony that would, as he put it, be able to "make its effect" in performance.
The heart of the book is an exploration, based on comprehensive archival research and critical analysis, of the creative development of the Fourth Symphony. It explains the nature and significance of the different versions through which the work passed, considers the impact of early performances, delves into the complicated roles played by Bruckner's collaboration with other musicians in the later stages of the work's evolution, and situates all of this in Bruckner's biographical, social, and musical context. The book also critiques the conventional wisdom about the so-called problem posed by the versions of Bruckner's works by deconstructing long-established myths, developing new insights, and bringing the musical logic of Bruckner's approach into clear focus. The book offers a searching yet accessible account of the music of the Fourth and a critical survey of the varying ways the work has been interpreted in performance and, starting in the 1930s, on recordings.
Benjamin M. Korstvedt is the George N. and Selma U. Jeppson Professor of Music in the Department of Visual and Performing Arts at Clark University, where he is also affiliated with the university's programs in German Studies and Holocaust and Genocide Studies. He is President of the Bruckner Society of America and serves on the editorial board of the New Anton Bruckner Complete Edition and the advisory board of the Institute of Austrian and German Music Research. He has held fellowships from the National Endowment for the Humanities, IFK Vienna, the Botstiber Institute for Austrian-American Studies and the American Musicological Society, among others.
Genesis
1: Introduction: A Long View of the Fourth Symphony
2: The Creation of the Fourth Symphony, 1874
3: Rejecting, Sifting, Reshaping, and Ordering, 1875-1876
4: The Music of the First Version
5: Reinventing the Fourth, 1878-1881
6: The First Performances, 1881
7: Entering the Public Sphere, 1882-1886
8: The Third Version, 1887-1888
9: The Music of the Third Version
Structure
10: The Fourth Symphony, Musically Considered
11: The Evolution of the Finale, 1874-1888
Reception
12: Toward a Synoptic View: Bruckner's Pursuit of Effectiveness
13: The Fourth in Performance, a Historical Sketch
| Erscheinungsdatum | 07.11.2024 |
|---|---|
| Reihe/Serie | Studies in Musical Genesis, Structure, and Interpretation |
| Zusatzinfo | 29 images and figures |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 165 x 239 mm |
| Gewicht | 653 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| ISBN-10 | 0-19-776566-1 / 0197765661 |
| ISBN-13 | 978-0-19-776566-1 / 9780197765661 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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