Popular Music and Multimedia
Routledge (Verlag)
978-1-032-91894-5 (ISBN)
Julie McQuinn is Assistant Professor of Music, Lawrence University, USA
Contents: Introduction: the productive potential of interactivity; Part I Cross-Genre Analysis: 'In the air tonight': text, intertextuality and the construction of meaning, Robynn J. Stilwell. Part II Film: Pop, speed and the 'MTV aesthetic' in recent teen films, Kay Dickinson; Torture tunes: Tarantino, popular music and new Hollywood ultraviolence, Lisa Coulthard; Remembering pop: David Lynch and the sound of the '60s, Mark Mazullo; Polyphony and cultural expression: interpreting musical traditions in Do the Right Thing, Victoria E. Johnson; From the warehouse to the multiplex: techno and rave culture's reconfiguration of late 1990s sci-fi spectacle as musical performance, Diana Sandars; The music that Lola ran to, Caryl Flinn; Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film, Natalie Sarrazin; The edge of seventeen: class, age and popular music in Richard Linklater's School of Rock, Jeff Smith. Part III Television: 'Reality goes pop!' Reality TV, popular music and narratives of stardom in Pop Idol, Su Holmes; Chewing gum for the ears: children's television and popular music, Karen Lury; In perfect harmony: popular music and cola advertising, Bethany Klein; It may look like a living room...: the musical number and the sitcom, Robynn J. Stilwell; Ally McBeal's postmodern soundtrack, Julie Brown; Nostalgia, music and the television past revisited in American Dreams, Faye Woods. Part IV Music Video: Subjective perspectives through word, image and sound: temporality, narrative agency and embodiment in the Dixie Chicks' video Top of the World, Lori Burns and Jada Watson; The kindest cut: functions and meanings of music video editing, Carol Vernallis; The erotic life of machines, Steven Shaviro; Too much, Tatu young: queering politics in the world of Tatu, Sarah Kerton. Part V Video Games: Grand Theft Auto? Popular music and intellectual property in video games, Karen Collins; Dancing machines: Dance Dance Revolution, cybern
| Erscheinungsdatum | 16.10.2024 |
|---|---|
| Reihe/Serie | The Library of Essays on Popular Music |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 169 x 244 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| ISBN-10 | 1-032-91894-2 / 1032918942 |
| ISBN-13 | 978-1-032-91894-5 / 9781032918945 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich