Bathers, Bodies, Beauty
The Visceral Eye
Seiten
2006
Harvard University Press (Verlag)
978-0-674-02116-7 (ISBN)
Harvard University Press (Verlag)
978-0-674-02116-7 (ISBN)
Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book confronts the issues posed in representations of the body in the art of impressionists, modern masters, and contemporary realists and post-modernists.
To the eye of some viewers, Renoir’s Great Bathers are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in the bathers a feminine fantasy of bodily liberation. The points of view are many, various, occasionally startling—and through them, Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book—about art, the body, beauty, and ways of viewing—confronts the issues posed in representations particularly of the female body in the art of impressionists, modern masters, and contemporary realists and post-modernists.
Nochlin begins by focusing on the painterly preoccupation with bathing, whether at the beach, in lakes and rivers, in public swimming pools, or in bathtubs. In discussions of Renoir, Manet, Cezanne, Bonnard, and Picasso, of late-twentieth-century and contemporary artists such as Philip Pearlstein, Alice Neel, and Jenny Saville, of grotesque imagery, the concept of beauty, and the body in realism, she develops an interpretive collage incorporating the readings of differing, strong-willed, female viewpoints. Among these is, of course, Nochlin’s own, a vantage point subtly charted here through a longtime engagement with art, art history, and artists.
In many ways a personal book, Bathers, Bodies, Beauty brings to bear a lifetime of looking at, teaching, talking about, wrestling with, loving, and hating art to reveal and complicate the lived and felt—the visceral—experience of art.
To the eye of some viewers, Renoir’s Great Bathers are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in the bathers a feminine fantasy of bodily liberation. The points of view are many, various, occasionally startling—and through them, Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book—about art, the body, beauty, and ways of viewing—confronts the issues posed in representations particularly of the female body in the art of impressionists, modern masters, and contemporary realists and post-modernists.
Nochlin begins by focusing on the painterly preoccupation with bathing, whether at the beach, in lakes and rivers, in public swimming pools, or in bathtubs. In discussions of Renoir, Manet, Cezanne, Bonnard, and Picasso, of late-twentieth-century and contemporary artists such as Philip Pearlstein, Alice Neel, and Jenny Saville, of grotesque imagery, the concept of beauty, and the body in realism, she develops an interpretive collage incorporating the readings of differing, strong-willed, female viewpoints. Among these is, of course, Nochlin’s own, a vantage point subtly charted here through a longtime engagement with art, art history, and artists.
In many ways a personal book, Bathers, Bodies, Beauty brings to bear a lifetime of looking at, teaching, talking about, wrestling with, loving, and hating art to reveal and complicate the lived and felt—the visceral—experience of art.
Linda Nochlin was Lila Acheson Wallace Professor of Modern Art at the New York University Institute of Fine Arts. Her many books include the 1972 classic Realism.
| Erscheint lt. Verlag | 21.6.2006 |
|---|---|
| Reihe/Serie | The Charles Eliot Norton Lectures |
| Zusatzinfo | 96 color illustrations, 9 halftones |
| Verlagsort | Cambridge, Mass |
| Sprache | englisch |
| Maße | 165 x 178 mm |
| Gewicht | 612 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 0-674-02116-9 / 0674021169 |
| ISBN-13 | 978-0-674-02116-7 / 9780674021167 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Vorlesungen März-Juni 1981 : die legendären Vorlesungen des großen …
Buch | Hardcover (2025)
Suhrkamp (Verlag)
CHF 53,90
verlorene Techniken der Alten Meister wiederentdeckt von David …
Buch | Hardcover (2025)
Frölich & Kaufmann (Verlag)
CHF 27,90
