Taylor Swift and the Philosophy of Re-recording
Bloomsbury Academic (Verlag)
978-1-350-42156-1 (ISBN)
When Taylor Swift’s record label was sold in 2019, the six studio albums she recorded for them came under the control of a person with whom she has had years of bad blood: Kanye West’s former manager Scooter Braun. But rather than move on, Swift chose to take the unprecedented step of re-recording duplicate versions of those albums. With all of the profits made from selling, streaming, and licensing these “Taylor’s Versions” going directly to Swift, she could deprive Braun of potentially hundreds of millions of dollars. The gambit has already paid off. The first two Taylor’s Versions (of Fearless and Red) debuted at Number 1 on the Billboard charts and have sold over one million copies so far; and four more are still on the way.
In this book, ten philosophers, a music producer and a composer/music technologist explore the philosophical richness of Swift’s project and the questions it raises: Are Swift's re-recordings new works of art or mere copies of the originals? Do the Taylor’s Versions of the songs have the same meanings as the original versions, or do they now mean something different? Is her re-recording project genuinely artistic or merely commercial? Is Swift standing up for artists’ rights or looking out for herself? Does the music industry exploit artists, and, if so, how should it be reformed?
Together they show the philosophical dividends one of the most famous and acclaimed recording artists of her generation is capable of producing. For anyone interested in the complicated relationship between popular art and commerce this book is a must-read.
Brandon Polite is Associate Professor of Philosophy and Chair of the Philosophy Department at Knox College, USA.
Notes on Contributors
Preface
Acknowledgments
Glossary
Timeline of Taylor Swift’s Career
Introduction: The Story of Taylor’s Versions
Brandon Polite (Knox College, USA)
1 Taylor Swift, Justice, and the Fundamentals of Copyright
Darren Hudson Hick (Furman University, USA)
2 Tell Me Why This Isn’t a Cover
Cristyn Magnus, P.D. Magnus (University at Albany, USA), Christy Mag Uidhir (University of Houston, USA), and Ron McClamrock (University at Albany, USA)
3 Conceptual Art (Taylor’s Version)
Sherri Irvin ((University of Oklahoma, USA)
4 The Art and Craft of (Re-) Recording
Michael Thomas Connolly
5 Re-recording as Reclamation: Metaphysics, Metaphor, and Taylor's Versions
Brandon Polite (Knox College, USA)
6 Meaning and Moral in Taylor’s Versions
Alex King (Simon Fraser University, USA)
7 Appreciating Taylor’s Version: An Aesthetic Love Story
Irene Martínez Marín (Uppsala University, Sweden)
8 Taylor’s Versions and Versions of Taylor
Ley David Elliette Cray (Independent Scholar, USA)
9 The Rights of the Living Dead: Taylor Swift’s Zombie Army
Elizabeth Cantalamessa (St. Bonaventure University, USA)
Bibliography
Index
| Erscheinungsdatum | 24.01.2025 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 124 x 204 mm |
| Gewicht | 299 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| Geisteswissenschaften ► Philosophie | |
| ISBN-10 | 1-350-42156-1 / 1350421561 |
| ISBN-13 | 978-1-350-42156-1 / 9781350421561 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
