Salvador Dalí, or the Art of Spitting on Your Mother's Portrait
Seiten
1993
Pennsylvania State University Press (Verlag)
978-0-271-00842-4 (ISBN)
Pennsylvania State University Press (Verlag)
978-0-271-00842-4 (ISBN)
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This is a picture of Dali's life and art, with an approach somewhere between biography, Freudian analysis, and art and literary interpretation. Dali is shown as haunted by the devouring phantom of his mother, the praying mantis on whose portrait he would like to spit.
Among the many books written on or by Salvador Dalí, this is the first to give a complete, well-documented picture of his life and art. Carlos Rojas's approach to Dalí is somewhere between biography, Freudian analysis, and art and literary interpretation. Dalí is haunted from earliest childhood by the specter of his elder brother who died as a toddler shortly before Dalí was conceived (both brothers and the father bore the same name), as he is haunted by the devouring phantom of his mother, that praying mantis on whose portrait he would like to spit. Dalí is seen as endlessly struggling to affirm his identity and existence. A combination of genius, madman, neurotic, and spoiled brat, Dalí is illuminated by his work, while the known facts of his life, his own writings, those of his sister, and of others, are used to analyze the paintings, which are described in considerable detail. Rojas also provides sustained analyses of Dalí's relationships, including his influential amorous and intellectual affair with Federico García Lorca.
Among the many books written on or by Salvador Dalí, this is the first to give a complete, well-documented picture of his life and art. Carlos Rojas's approach to Dalí is somewhere between biography, Freudian analysis, and art and literary interpretation. Dalí is haunted from earliest childhood by the specter of his elder brother who died as a toddler shortly before Dalí was conceived (both brothers and the father bore the same name), as he is haunted by the devouring phantom of his mother, that praying mantis on whose portrait he would like to spit. Dalí is seen as endlessly struggling to affirm his identity and existence. A combination of genius, madman, neurotic, and spoiled brat, Dalí is illuminated by his work, while the known facts of his life, his own writings, those of his sister, and of others, are used to analyze the paintings, which are described in considerable detail. Rojas also provides sustained analyses of Dalí's relationships, including his influential amorous and intellectual affair with Federico García Lorca.
Carlos Rojas is Charles Howard Candler Professor of Spanish Literature at Emory University and author of several books including El mundo mítico y mágico de Salvador Dalí (1985).
| Zusatzinfo | 11 Halftones, black and white |
|---|---|
| Verlagsort | University Park |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 540 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 0-271-00842-3 / 0271008423 |
| ISBN-13 | 978-0-271-00842-4 / 9780271008424 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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