Art Across Time
McGraw Hill Higher Education
9780073200934 (ISBN)
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"Art across Time" seeks to inspire students in their study of art through a combination of large-scale reproductions, extensive use of color photographs, and effective incorporation of contextual material. Large format illustrations, 80 per cent in color, allow students to appreciate delicacies of technique and detail that are lost in smaller or black and white representations. Similarly, the writing emphasizes the motivations and environment of the artists to give students a sense of the intent or purpose of the work. The arts of cultures beyond the West are presented thematically and at points of cross-cultural contact - Japan and the Impressionists and Africa and the European Avant-Garde - in Windows on the World sections. In all, "Art across Time", presents the history of art as a dynamic narrative grounded in scholarship, a narrative that is a dialogue between modern viewers and the past.
Laurie Schneider Adams received a Ph.D. in Art History from Columbia University. She is Professor of Art History at John Jay College, City University of New York, where she teaches art survey, and at the Graduate Center, where she teaches courses on the Italian Renaissance and on Art and Psychoanalysis. She has published articles on iconography and on art and psychology. She is the editor of Giotto in Perspectiveand of the journal Source: Notes in the History of Art; the author of A History of Western Art, The Methodologies of Art, Art and Psychoanalysis, and Art on Trial; and co-author (with Maria Grazia Pernis) of Federico da Montefeltro and Sigismondo Malatesta: The Eagle and the Elephant and of 5 children's books (with Allison Coudert).
IntroductionWhy Do We Study the History of Art?Part IChapter 1The Art of PrehistoryWindow on the World: Rock Paintings Chapter 2The Ancient Near EastChapter 3Ancient EgyptChapter 4The AegeanPart IIChapter 5The Art of Ancient GreeceChapter 6The Art of the EtruscansWindow on the World: China: Neolithic to First EmpireChapter 7Ancient RomeWindow on the World: Developments in South AsiaChapter 8Early Christian and Byzantine ArtWindow on the World: Developments in Buddhist ArtPart IIIChapter 9The Early Middle AgesWindow on the World: Mesoamerica (1500 B.C. -A.D. 1500)Chapter 10Romanesque ArtChapter 11Gothic ArtWindow on the World: Buddhist and Hindu Developments in East Asia (6th-13th Century)Chapter 12Precursors of the RenaissancePart IVChapter 13The Early RenaissanceWindow on the World: Perspective in Asian PaintingChapter 14The High Renaissance in ItalyChapter 15Mannerism and the Later Sixteenth Century in ItalyChapter 16Sixteenth-Century Painting in Northern EuropePart VChapter 17The Baroque Style in Western EuropeWindow on the World: Mughal Art and the BaroqueChapter 18Rococo and the Eighteenth CenturyPart VIChapter 19Neoclassicism: The Late Eighteenth and Early Nineteenth CenturiesChapter 20Romanticism: The Late Eighteenth and Early Nineteenth CenturiesChapter 21Nineteenth-Century RealismChapter 22Nineteenth-Century ImpressionismWindow on the World: Japanese Woodblock PrintsChapter 23Post-Impressionism and the Late Nineteenth CenturyWindow on the World: Gauguin and OceaniaPart VIIChapter 24Turn of the Century: Early Picasso, Fauvism, Expressionism, and MatisseWindow on the World: African Art and the European Avant-GardeChapter 25Cubism, Futurism, and Related Twentieth-Century StylesChapter 26Dada, Surrealism, Fantasy, and the United States Between the WarsWindow on the World: Hopi KachinasChapter 27Abstract ExpressionismChapter 28Pop Art, Op Art, Minimalism, and ConceptualismChapter 29Innovation and ContinuityGlossarySuggestions for Further ReadingNotesLiterary AcknowledgmentsAcknowledgmentsPhoto CreditsIndex
| Erscheint lt. Verlag | 1.1.2005 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 215 x 276 mm |
| Gewicht | 3444 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-13 | 9780073200934 / 9780073200934 |
| Zustand | Neuware |
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