Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Mariachi Music in America - Daniel Sheehy

Mariachi Music in America

Experiencing Music, Expressing Culture

Daniel Sheehy (Autor)

Media-Kombination
128 Seiten
2005
Oxford University Press Inc
978-0-19-514146-7 (ISBN)
CHF 43,90 inkl. MwSt
  • Versand in 10-20 Tagen
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
Part of the "Global Music Series", this volume describes the social, cultural, and economic circumstances surrounding mariachi music in the US. It explains how mariachi music is at once a folk music rooted in many years of tradition. It also offers an understanding of its evolving role and nature, and its place in contemporary American society.
Mariachi Music in America: Experiencing Music, Expressing Culture, is one of the case study volumes in the Global Music Series, edited by Bonnie Wade and Patricia Shehan Campbell. This volume describes the social, cultural, and economic circumstances surrounding mariachi music in the United States. Massive immigrations of Mexicans to the U.S., the power of the international recording industry, and the fluid travel of mariachi musicians back and forth between the two countries have maintained a strong base of musical continuity across the political border. This book explains how mariachi music is at once a folk music rooted in over 150 years of tradition, a commodity governed by market considerations, and a dynamic, evolving musical stream of activity, shaped and expanded by musical innovation and social meaning. This book offers an understanding of Mariachi music's historical roots, its evolving role and nature, and its place in contemporary American society. Woven through the text are eyewitness accounts of local performances, interviews with key performers, and vivid illustrations.

Daniel Sheehy served as Director of Folk & Traditional Arts at the National Endowment for the Arts from 1992-2000 and as staff ethnomusicologist and Assistant Director from 1978-1992. A Fulbright-Hays scholar in Veracruz, Mexico, he earned his Ph.D. in ethnomusicology from UCLA in 1979. He is coeditor of the second volume of the Garland Encyclopedia of World Music: South America, Mexico, Central America, and the Caribbean (1998). He has performed mariachi music since 1968.

Foreword:
Preface:
CD Track List:
1. An Introduction to Mariachi Culture
Mariachi Music and Culture
Issues for Reflection:
Personal Perspectives from the Author
The Purpose of This Book
2. The Modern Mariachi Sound
Modern Mariachi
Before "Mariachi," 1519-1852:
The Mariachi Emerges:
Mariachi: The Musical Group
The Modern Mariachi Takes Shape:
Instruments of the Modern Mariachi:
The Vihuela
The Guitarrón
The Harp
Musical Forms:
Poetic Forms:
The Copla
The Seguidilla
The Son
Other Genres:
The Canción Ranchera
The Bolero Ranchero
The Huanpango
The Polka
3. The Social Life of Mariachi Music
The Social Dimension
Nati Cano's Dream:
The Birth of La Fonda:
Social Dimensions of Mariachi Meaning:
José Hernández's Motivation
The Value of Tradition
Women in the Mariachi
Rebecca Gonzales: Opening the Way for Women in the Mariachi:
Laura Sobrino: The Challenge of Change:
4. Mariachi Economy: Al Talón, Chambas, Plantas, Shows, and la Mariachada
Mariachi as a Product and a Profession
The Expanding Mariachi Market
Performance Settings
Al Talón
Chambas
Serenata
Plantas
Shows
La Mariachada
5. !Viva el Mariachi! Tacos with Ketchup or Salsa? The Challenge of Change
The Threads of Change
Social Threads:
Mariachi in Schools
Mariachi Festivals:
Social Movements
Chicano Movimiento
Women's Liberation Movement:
Conclusion: The Challenge of Change, the Future
Glossary:
References:
Resources:
Index:

Reihe/Serie Global Music Series
Zusatzinfo numerous halftones and musical examples
Verlagsort New York
Sprache englisch
Maße 195 x 164 mm
Gewicht 200 g
Themenwelt Kunst / Musik / Theater Musik Pop / Rock
ISBN-10 0-19-514146-6 / 0195141466
ISBN-13 978-0-19-514146-7 / 9780195141467
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich