Bacon - Picasso
The Life of Images
Seiten
2005
Flammarion (Verlag)
978-2-08-030486-5 (ISBN)
Flammarion (Verlag)
978-2-08-030486-5 (ISBN)
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Francis Bacon was so inspired by the Picasso exhibit in 1927 at the Paul Rosenberg gallery in Paris that he decided to dedicate himself to painting. From that point onward, he established and maintained a multifaceted relationship with Picassos work. This book examines the work of the two artists through their common themes.
Francis Bacon was so inspired by the Picasso exhibit in 1927 at the Paul Rosenberg gallery in Paris that he decided to dedicate himself to painting. From that point onward, he established and maintained a multifaceted relationship with Picasso’s work. The visual, thematic, and philosophical aspects of the virtual dialogue that ensued between the two artists centered around what Bacon called “the brutality of fact” that linked his work to that of Picasso. Bacon–Picasso examines the work of the two artists through their common themes: the crucifixion, the kiss, the scream, and the studio portrait/self-portrait. The juxtaposition of paintings clearly demonstrates the ways in which Bacon appropriated Picasso’s work into his own art. This volume draws from prestigious international collections including the Tate Gallery (London), Musée National Picasso and Musée National d’Art Moderne (Paris), Moderna Museet (Stockholm), and Fondation Beyeler (Basel). The Bacon-Picasso exhibition opens at the Musée National Picasso, Paris (March 1–May 30, 2005). This exhibition catalog is co-published with the Réunion des musées nationaux.
Francis Bacon was so inspired by the Picasso exhibit in 1927 at the Paul Rosenberg gallery in Paris that he decided to dedicate himself to painting. From that point onward, he established and maintained a multifaceted relationship with Picasso’s work. The visual, thematic, and philosophical aspects of the virtual dialogue that ensued between the two artists centered around what Bacon called “the brutality of fact” that linked his work to that of Picasso. Bacon–Picasso examines the work of the two artists through their common themes: the crucifixion, the kiss, the scream, and the studio portrait/self-portrait. The juxtaposition of paintings clearly demonstrates the ways in which Bacon appropriated Picasso’s work into his own art. This volume draws from prestigious international collections including the Tate Gallery (London), Musée National Picasso and Musée National d’Art Moderne (Paris), Moderna Museet (Stockholm), and Fondation Beyeler (Basel). The Bacon-Picasso exhibition opens at the Musée National Picasso, Paris (March 1–May 30, 2005). This exhibition catalog is co-published with the Réunion des musées nationaux.
Anne Baldassari is the world's preeminent Picasso scholar and curator at the Musee National Picasso in Paris. She is the author of several works and exhibition catalogs, including Picasso and Photography (Flammarion, 1997), Picasso Working on Paper (Rizzoli, 2000), and the recent blockbuster Matisse-Picasso (MOMA/Tate Gallery, 2002).
| Erscheint lt. Verlag | 10.10.2005 |
|---|---|
| Zusatzinfo | Illustrated in colour and black and white throughout |
| Verlagsort | Paris |
| Sprache | englisch |
| Maße | 220 x 280 mm |
| Gewicht | 1480 g |
| Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
| ISBN-10 | 2-08-030486-0 / 2080304860 |
| ISBN-13 | 978-2-08-030486-5 / 9782080304865 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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