Power, Politics and the Street
Lund Humphries Publishers Ltd (Verlag)
978-1-84822-579-4 (ISBN)
Surveying work created by Vietnamese, Thai, Burmese, Cambodian, Indonesian, Malaysian, Singaporean and Filipino artists, the publication’s broad regional spread provides valuable insights for a global audience perhaps unfamiliar with the pioneering utilisation of the street, public locales, and techniques of audience co-opting that have made Southeast Asia, and continue to make it, a region instrumental in facilitating social change through art.
Iola Lenzi, originally trained in law, is an art historian and curator of modern and contemporary Southeast Asian art, a subject that she teaches at undergraduate and graduate level in Singapore.
Introduction - Southeast Asian contemporary art: characteristics, framing and importance; 1 The early contemporary shift in Southeast Asia: messy politics, new art; 2 The formative 1980s: strengthening Southeast Asian contemporary art aesthetics; 3 Art and resistance in the early-1990s: from Tiananmen to urbanisation; 4 Southeast Asian contemporary art at millennium turn: finance and regime change; 5 Southeast Asian contemporary art in the 21st century: from fringes to mainstream; Conclusion: local origins, global agency; Timeline; Selected Bibliography; Acknowledgements; Index
| Erscheinungsdatum | 20.12.2024 |
|---|---|
| Vorwort | Apinan Poshyananda |
| Zusatzinfo | Illustrations; 150 Illustrations, color; 25 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 190 x 250 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-84822-579-2 / 1848225792 |
| ISBN-13 | 978-1-84822-579-4 / 9781848225794 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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