Theater(s) and Public Sphere in a Global and Digital Society, Volume 2
Brill (Verlag)
978-90-04-52616-7 (ISBN)
This second volume of Theaters and Public Sphere in a Global and Digital Society offers several different case studies in their relationship with society. Also here, the focus is the fundamental contribution that artistic and cultural forms bring to social dynamics and how these can consolidate cohabitation and create meaningfullness, in addition to fulfilling economic and regulatory needs. As symbolic forms of collective social practices, artistic and cultural forms weave the meaning of a territory, a context, and a people, but also of the generations who traverse these same cultures.
These forms of meaning interact with the social imagery, mediate marginalization, transform barriers into bridges, and are the indispensable tools for any social coexistence and its continuous rethinking in everyday life.
Contributors are: Claudio Bernardi, Marco Bernardi, Massimo Bertoldi, Martina Guerinoni, Mara Nerbano, Chiara Pasanisi, Benedetta Pratelli, Roberto Prestigiacomo, Ilaria Riccioni, Daniela Salinas Frigerio, Eleonora Sparano, Emanuele Stochino, Matteo Tamborrino, Tiziana Tesauro, Katia Trifirò, Alessandro Tolomelli, and Andrea Zardi.
Ilaria Riccioni, Ph.D. (2003) "La Sapienza" University of Rome, is Tenured Researcher of General Sociology at the Free University of Bolzano-Bozen. She has published many monographs and articles of social theory and social impact of artistic phenomena including "Futurism: Anticipating Postmodernism" (Mimesis International, 2019)
Preface
Acknowledgements
List of Figures and Tables
Notes on Contributors
1 The Impact of Theatre in a Multilingual Province The Case of the Teatro Stabile of Bolzano between New and Old Generations
Ilaria Riccioni
2 The Anomaly of the Teatro Stabile of Bolzano A Public Theater on the Border, between Different Languages and Cultures
Marco Bernardi
3 State Theater of Bolzano. 70 years History and Shows in a Book
Massimo Bertoldi
4 The Interviews for the Research on the Teatro Stabile di Bolzano Some Methodological Considerations
Eleonora Sparano
5 Social Theatre, a Polyphonic Dramaturgy of the Community
Claudio Bernardi
6 From the Creative Process to the Relationship with the City The Theatre of the ‘Margin’ by the Carullo-Minasi Company (Messina, 2011–2021)
Katia Trifirò
7 Theatre Festivals and Urban Public Border Crossing Practices in Comparison
Benedetta Pratelli
8 A Relational Theatre Fabrizio Crisafulli’s “Theatre of Places”
Mara Nerbano
9 Introducing Performing Human Rights
Roberto Prestigiacomo
10 On Stage without a Script A Theatrical Workshop for Professional Training
Tiziana Tesauro
11 The Theater of the Oppressed as a Martial Art Theatre, Community, Pedagogy and Politics
Alessandro Tolomelli
12 Pier Paolo Pasolini and the Theatre of the Word
Emanuele Stochino
13 Dramaturgies of Distancing Dance and Public Space in the Covid Era
Andrea Zardi
14 La Trilogia del naufragio by Lina Prosa Dramaturgy and Poetic of Inclusion
Chiara Pasanisi
15 The Lavanderia a Vapore, from Madhouse to Dancehouse A Contemporary Experience of Relationship between Theatrical Space and Territorial Communities
Matteo Tamborrino
16 Performing Arts and Practices for the Inclusion of Migrants in Milan
Martina Guerinoni
17 Teleaudiencias Teatrales Crisis of a Representation
Daniela Salinas Frigerio
Index
| Erscheinungsdatum | 29.12.2022 |
|---|---|
| Reihe/Serie | Studies in Critical Social Sciences ; 236 |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Gewicht | 541 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 90-04-52616-1 / 9004526161 |
| ISBN-13 | 978-90-04-52616-7 / 9789004526167 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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