Painting the Difference
Sex and Spectator in Modern Art
Seiten
2006
University of Chicago Press (Verlag)
978-0-226-31797-7 (ISBN)
University of Chicago Press (Verlag)
978-0-226-31797-7 (ISBN)
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Deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. This book considers works by artists such as Renoir, Degas, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and others, and incorporates elements of cultural criticism and social history into the author's arguments.
Charles Harrison here traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining conceptual history with telling investigations into the details of specific works, "Painting the Difference" deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art.In considering works by artists such as Renoir, Degas, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and others, Harrison incorporates elements of cultural criticism and social history into his arguments. Generous color illustrations permit the reader to test the author's claims against the works on which they are based.Rich with detail and compelling analysis, "Painting the Difference" offers cutting-edge interpretation by one of the most respected teachers and theorists of modern art.
Charles Harrison here traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining conceptual history with telling investigations into the details of specific works, "Painting the Difference" deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art.In considering works by artists such as Renoir, Degas, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and others, Harrison incorporates elements of cultural criticism and social history into his arguments. Generous color illustrations permit the reader to test the author's claims against the works on which they are based.Rich with detail and compelling analysis, "Painting the Difference" offers cutting-edge interpretation by one of the most respected teachers and theorists of modern art.
Charles Harrison is professor of the history and theory of art at the Open University, in the United Kingdom. He is coeditor of Art in Theory and the author of numerous books, including Essays on Art Language and Conceptual Art and Painting. He is a major contributor to the Modern Art Practices and Debates series and to the four-volume series Art of the Twentieth Century.
| Erscheint lt. Verlag | 2.1.2006 |
|---|---|
| Sprache | englisch |
| Maße | 22 x 29 mm |
| Gewicht | 1474 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 0-226-31797-8 / 0226317978 |
| ISBN-13 | 978-0-226-31797-7 / 9780226317977 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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