From Flanders to Florence
The Impact of Netherlandish Painting, 1400-1500
Seiten
2004
Yale University Press (Verlag)
978-0-300-10244-4 (ISBN)
Yale University Press (Verlag)
978-0-300-10244-4 (ISBN)
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Paula Nuttall explores the artistic contacts between Italy and the Netherlands during the 15th century, with special regard to the influence of Dutch style on the development of painting in Florence, including the work of Leonardo, Perugino and Ghirlandaio.
This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape and portraiture. Focusing on Florence, a prime centre of renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters, including Leonardo, Perugino and Ghirlandaio. Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460-1500 when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been previously understood.
This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape and portraiture. Focusing on Florence, a prime centre of renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters, including Leonardo, Perugino and Ghirlandaio. Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460-1500 when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been previously understood.
Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum and at other UK institutions. She is a specialist on relationships between Netherlandish painting and Italy, and has published widely in this area.
| Erscheint lt. Verlag | 13.8.2004 |
|---|---|
| Zusatzinfo | 200 illus |
| Sprache | englisch |
| Maße | 171 x 246 mm |
| Gewicht | 1932 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 0-300-10244-5 / 0300102445 |
| ISBN-13 | 978-0-300-10244-4 / 9780300102444 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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