Carry the Music
Seiten
2021
|
Vocal score
Oxford University Press
978-0-19-354675-2 (ISBN)
Oxford University Press
978-0-19-354675-2 (ISBN)
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for SSA and piano
This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates an atmosphere of heartfelt celebration of choral singing, leading to the profound closing words 'I hear you. I see you too'.
for SSA and piano
This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A warm unison first verse and chorus is next transposed into 6/8, taking on a dance-like feel, first in two and then three vocal parts, while the forward motion of the piano's continuous quaver movement echoes the text's encouragement to 'carry the music on'. The gradual building of choral texture creates an atmosphere of heartfelt celebration of choral singing, leading to the profound closing words 'I hear you. I see you too'.
This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates an atmosphere of heartfelt celebration of choral singing, leading to the profound closing words 'I hear you. I see you too'.
for SSA and piano
This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A warm unison first verse and chorus is next transposed into 6/8, taking on a dance-like feel, first in two and then three vocal parts, while the forward motion of the piano's continuous quaver movement echoes the text's encouragement to 'carry the music on'. The gradual building of choral texture creates an atmosphere of heartfelt celebration of choral singing, leading to the profound closing words 'I hear you. I see you too'.
Sarah Quartel is one of Canada's most internationally celebrated and widely performed living choral composers. Her music is programmed globally, and her commissions have premiered in spaces such as Carnegie Hall, Canterbury Cathedral, and the famed Church of the Rock in Helsinki. Raised as a choral singer herself, Sarah is inspired by the life-changing relationships that can occur in group singing. She is known for her fresh, exciting, and chorister-centred approach to music making, writing in a way that connects singer to singer, ensemble to conductor, and performer to audience. Sarah also works as a clinician, visiting composer, and guest conductor at music education and choral events in Canada and abroad.
| Erscheint lt. Verlag | 31.7.2021 |
|---|---|
| Reihe/Serie | Songbird |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 176 x 252 mm |
| Gewicht | 16 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| ISBN-10 | 0-19-354675-2 / 0193546752 |
| ISBN-13 | 978-0-19-354675-2 / 9780193546752 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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