Paul Klee – Ad Parnassum
Schlüsselwerke der Schweizer Kunst
Seiten
2021
Scheidegger & Spiess (Verlag)
978-3-03942-011-7 (ISBN)
Scheidegger & Spiess (Verlag)
978-3-03942-011-7 (ISBN)
lt;p>Der Beginn einer neuen Schaffensphase: Paul Klees Studien zur polyphonen Malerei
lt;p>In the 1920s, German-Swiss artist Paul Klee (1879-1940) began his long-lasting engagement with polyphonic art-multi-voiced way of painting analogous to musicA relentless experimenter, Klee began these studies while teaching at the Bauhaus in Dessau, developed them further during his tenure at the art academy in Düsseldorf, and brought them to conclusion after his return to Switzerland in 1933. In this book, distinguished art historian Oskar Bätschmann explores Klee's seminal painting Ad Parnassum (1932). Painted shortly after the artist's departure from the Bauhaus, it symbolizes a new era, also one of Klee's own self-discovery. Bätschmann documents how the artist strove for a connection of music and painting in his color hues and in the rhythmic movement of colored dots.
lt;p>In the 1920s, German-Swiss artist Paul Klee (1879-1940) began his long-lasting engagement with polyphonic art-multi-voiced way of painting analogous to musicA relentless experimenter, Klee began these studies while teaching at the Bauhaus in Dessau, developed them further during his tenure at the art academy in Düsseldorf, and brought them to conclusion after his return to Switzerland in 1933. In this book, distinguished art historian Oskar Bätschmann explores Klee's seminal painting Ad Parnassum (1932). Painted shortly after the artist's departure from the Bauhaus, it symbolizes a new era, also one of Klee's own self-discovery. Bätschmann documents how the artist strove for a connection of music and painting in his color hues and in the rhythmic movement of colored dots.
Richly illustrated, this book places Klee's polyphonic understanding of art in an art-historical context by using this key work and offers insight into the synesthetic thinking that emerged in the art world during that time.
Oskar Bätschmann lehrte bis 2009 als Professor für Kunstgeschichte der Neuzeit und der Moderne an der Universität Bern. Er war Mitglied der Paul-Klee-Stiftung und Mitinitiator des von 1998 bis 2004 erschienenen Catologue raisonné des Künstlers.
| Erscheinungsdatum | 25.11.2021 |
|---|---|
| Reihe/Serie | Schlüsselwerke der Schweizer Kunst ; 5 |
| Übersetzer | Karen Williams |
| Zusatzinfo | 33 farbige Abbildungen |
| Sprache | englisch; deutsch |
| Maße | 215 x 250 mm |
| Gewicht | 640 g |
| Einbandart | gebunden |
| Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
| Schlagworte | Ad Parnassum • ART • Artist • Bildband • Gemälde • illustrated Book • Key works of Swiss art • Kunst • Künstler • Maler • Malerei • modern art • Moderne Kunst • Morderne Kunst • Oskar Bätschmann • Painter • painting • Paul Klee • Schlüsselwerke der Schweizer Kunst • Schweizer Kunst • Swiss art |
| ISBN-10 | 3-03942-011-9 / 3039420119 |
| ISBN-13 | 978-3-03942-011-7 / 9783039420117 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Katalog, Fondation Louis Vuitton. Deutsche Ausgabe, Paris 2025.
Buch | Hardcover (2025)
Schirmer Mosel (Verlag)
CHF 62,90
