Why Marianne Faithfull Matters
University of Texas Press (Verlag)
978-1-4773-2116-4 (ISBN)
Putting memoir on equal footing with biographical history, Pearson writes about Faithfull as an avid fan, recovered addict, and queer musician at a crossroads. She’s also a professional historian unafraid to break from the expectations of the discipline if a “titty-centered analysis” or astrology can illuminate the work of her subject. Whether exploring Faithfull’s rise to celebrity, her drug addiction and fall from grace as spurned “muse,” or her reinvention as a sober, soulful chanteuse subverting all expectations for an aging woman in music, Pearson affirms the deep connections between listeners and creators and reveals, in her own particular way, why Marianne Faithfull matters.
Tanya Pearson is a public historian and director of the Women of Rock Oral History Project, a collection of digital interviews and written transcripts documenting the lives and careers of women-identified rock musicians. Her work has appeared in Bust Magazine, Memoir Mixtapes, and Oral History Journal.
Introduction: Women Are Born Cultural Archaeologists
I. The “It Girl” of the Swinging Sixties
Parents
The British Invasion
Pop Stardom
Breasts
“Wild Horses Couldn’t Drag Me Away”
“It’s All Over Now, Baby Blue”
II. Falling from Grace
Trauma Is a Gateway Drug
A Punk Comeback
III. The Chanteuse
Strange Weather
The 90s: A Good Decade for Women in Rock
Before the Poison
“In My Own Particular Way”
Capricorn
Love in the Time of Coronavirus
Epilogue: Memory, “Show Me the Dick”
Acknowledgments
Discography and Filmography
Notes
| Erscheinungsdatum | 07.07.2021 |
|---|---|
| Reihe/Serie | Music Matters |
| Verlagsort | Austin, TX |
| Sprache | englisch |
| Maße | 127 x 178 mm |
| Gewicht | 200 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| ISBN-10 | 1-4773-2116-0 / 1477321160 |
| ISBN-13 | 978-1-4773-2116-4 / 9781477321164 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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