The Metahistory of Western Knowledge in the Modern Era
Anthem Press (Verlag)
9781785276989 (ISBN)
The book is a study of the evolving history of knowledge in the arts and sciences in the modern era – from 1648 through the present. Modernism is treated as an epoch with evolving disciplines whose articulated problems of a time and the inquiry methods to address them, develop in a coordinated manner, given a mutual awareness.
When one organizes the development of knowledge over periods of years, and gives it an appellation such as “Modernism,” the organization of facts is guided by concepts and values discerned throughout these periods. These facts of knowledge development share sufficient understandings to be called an “era,” or an “epoch,” or other terms that insist on the shared aspects of those years. One can call such an effort a “metahistory,” in that what is tracked is not merely a knowledge that is political, economic, ideological, sociological, or scientific, but an overview that tracks the respective conceptual developments of the fields in how they have changed and augmented their problem formulations, inquiry methods, and explanatory conceptions over time.
Mark E. Blum is a professor of European history at the University of Louisville. He has a master’s degree in English history from the University of Pennsylvania, and a PhD in Austrian-German history from the University of Pennsylvania. He has published over nine books, several focusing upon the epistemology of human consciousness – in its verbal as well as figural foundations.
Introduction; Part I The First Modern Metaparadigm, c.1648–c.1750; Chapter One The First Phase: Seminal Ideation, c.1648–c.1670: The Focus upon Definition and Hypothesis; Chapter Two The Second Phase: Developing a Systematic Theory for Future Inquiry and Problem-Solving c.1670–c.1690; Chapter Three The Third Phase: Material Inquiry into the Verifiability of Specific Concepts, and Conflict over the Implications of the Findings c.1690–c.1720; Chapter Four The Fourth Phase: Integrating the New Four Causal Understandings with the Traditional c.1720–c.1750; Part II The Second Modern Metaparadigm, c.1750–c.1865; Chapter Five The First Phase: Seminal Ideation, c.1750–c.1770: The Focus upon Definition and Hypothesis; Chapter Six The Second Phase: Developing a Systematic Structure for Guiding New Inquiry and Explanation c.1770–c.1790; Chapter Seven The Third Phase: Material Inquiry into the Verifiability of Specific Concepts, and Conflict over the Implications of the Findings c.1790–c.1820; Chapter Eight The Fourth Phase: Integrating the New Four Causal Understandings with the Traditional c.1820–c.1860; Part III The Third Modern Metaparadigm c.1860–c.1960; Chapter Nine The First Phase: Seminal Ideation, c.1860–1870: The Focus upon Definition and Hypothesis; Chapter Ten The Second Phase: Developing a Systematic Structure for Guiding New Inquiry and Explanation c.1870–c.1895; Chapter Eleven The Third Phase: Material Inquiry into the Verifiability of Specific Concepts, and Conflict over the Implications of the Findings c.1890–c.1920; Chapter Twelve The Fourth Phase: Integrating the New Four Causal Understandings with the Traditional c.1920–c.1960; Part IV The Fourth Modern Metaparadigm, c.1970–c.2060; Chapter Thirteen The First Phase: Seminal Ideation, c.1960–1980: The Focus upon Definition and Hypothesis; Chapter Fourteen The Second Phase: Developing a Systematic Structure for Guiding New Inquiry and Explanation c.1970–1990; Chapter Fifteen The Third Phase: Material Inquiry into the Verifiability of Specific Concepts, and Conflict over the Implications of the Findings c.1990–c. 2020; Bibliography; Index.
| Erscheinungsdatum | 10.05.2021 |
|---|---|
| Reihe/Serie | Anthem Series on Thresholds and Transformations |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 153 x 229 mm |
| Gewicht | 454 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-13 | 9781785276989 / 9781785276989 |
| Zustand | Neuware |
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