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Right and Left in Early Christian and Medieval Art - Robert Couzin

Right and Left in Early Christian and Medieval Art

(Autor)

Buch | Hardcover
328 Seiten
2021
Brill (Verlag)
9789004448254 (ISBN)
CHF 209,95 inkl. MwSt
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Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.
Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author’s investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices.



Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform here.



See inside the book.

Robert Couzin, Ph.D. (University of Toronto, 2013), is a second-career scholar of early Christian and medieval art history. He has published on a wide range of topics, from sarcophagi to the historiography of Latin neologisms.

List of Illustrations

Abbreviations



Introduction: The Pre-Eminence of the Right

 1 On Human Handedness

 2 The Sublimation of Right and Left

 3 Historiography

 4 Plan of the Work



Part 1: The Right Hand

1 Picturing Handedness



2 The Hand of God

 1 The Great Right Hand

 2 The Other Hand of God

 3 God in the Image of Man



3 Fighting and Writing

 1 Handedness and Violence

 2 Handedness and the Scribe

 3 The Pen and the Sword



4 A Digression on Feet

 1 Stepping Up to the Altar

 2 Figures in Motion

 3 Footwashing

 4 The Three-Nail Crucifixion



Part 2: The Right Side

5 Picturing Position



6 Peter and Paul in Early Christian Art

 1 Double Portraits of the Chief Apostles

 2 Peter, Paul, and Jesus

 3 The Politics of Apostolic Precedence



7 Spouses: The Place of Gender

 1 Early Christian Men on the Left

 2 Medieval Men on the Right

 3 Transgression: Medieval Women on the Right

 4 The Coronation of the Virgin: Sponsa on the Right



Part 3: The Right Way

8 The Pythagorean Y

 1 The Two Ways: Pythagoras and Matthew

 2 Erlangen Universitätsbibliothek, Ms. 8, fol. 130v

 3 The Pilgrim’s Choice

 4 A Matter of Mentality



9 Sacred Movement

 1 Depicted Motion in Latin- and Greek-Language Cultures

 2 The Syriac and Hebrew Evidence

 3 Conclusions



10 Narrative Sequence

 1 Script Direction and Pictorial Programming

 2 Linear Programs and the Puzzle of Bernward’s Column

Epilogue

 1 Misapprehension

 2 Inattention

 3 Disinterest

 4 Future Directions

Bibliography

Index

Erscheinungsdatum
Reihe/Serie Art and Material Culture in Medieval and Renaissance Europe ; 16
Verlagsort Leiden
Sprache englisch
Maße 155 x 235 mm
Gewicht 732 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geschichte Allgemeine Geschichte Mittelalter
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
ISBN-13 9789004448254 / 9789004448254
Zustand Neuware
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