Virtue and Beauty
Leonardo's Ginevra de' Benci and Renaissance Portraits of Women
Seiten
2003
Princeton University Press (Verlag)
978-0-691-11456-9 (ISBN)
Princeton University Press (Verlag)
978-0-691-11456-9 (ISBN)
Celebrating the flowering of female portraiture, mainly in Florence, beginning in the latter half of the fifteenth century, this is an illustrated volume of paintings, sculpture, medals, and drawings. It includes the finest portraits of women by Filippo Lippi, Domenico Ghirlandaio, Antonio Pollaiuolo, Botticelli, Verrocchio, and Leonardo da Vinci.
This beautifully illustrated and exquisitely designed volume of paintings, sculpture, medals, and drawings celebrates the extraordinary flowering of female portraiture, mainly in Florence, beginning in the latter half of the fifteenth century. Included are many of the finest portraits of women (and a few of men) by Filippo Lippi, Domenico Ghirlandaio, Antonio Pollaiuolo, Botticelli, Verrocchio, and Leonardo da Vinci--whose remarkable double-sided portrait of Ginevra de' Benci, which departs notably from tradition, is the focus of special attention. It was in Florence during this period that portraiture expanded beyond the realm of rulers and their consorts to encompass women of the merchant class. This phenomenon, long known to scholars, is here presented to a larger audience for the first time. The catalogue, which accompanies an exhibition at the National Gallery of Art, traces how the humanist praise of women influenced and enlivened their depiction. It also considers how meaningful costumes and settings were chosen.
Works from outside Florence by such masters as Pisanello, Rogier van der Weyden, and Ercole Roberti shed additional light on the evolution of female portraiture during the century from c. 1440 to c. 1540. An introduction by editor and exhibition organizer David Alan Brown and four engaging essays by other experts on Renaissance art--Dale Kent, Joanna Woods-Marsden, Mary Westerman Bulgarella and Roberta Orsi Landini, and Victoria Kirkham--perfectly complement the more than one hundred illustrations, which include ninety-seven full-color plates. The catalogue entries are concise while revealing the key aspects of each portrait--from style and sources to ongoing scholarly debates. This elegant, enlightening book is itself a telling portrait not only of the art but also of the broader issues of women's freedom, responsibility, and individuality in a most exceptional era. EXHIBITION SCHEDULE National Gallery of Art, Washington, D.C. September 30, 2001-January 6, 2002
This beautifully illustrated and exquisitely designed volume of paintings, sculpture, medals, and drawings celebrates the extraordinary flowering of female portraiture, mainly in Florence, beginning in the latter half of the fifteenth century. Included are many of the finest portraits of women (and a few of men) by Filippo Lippi, Domenico Ghirlandaio, Antonio Pollaiuolo, Botticelli, Verrocchio, and Leonardo da Vinci--whose remarkable double-sided portrait of Ginevra de' Benci, which departs notably from tradition, is the focus of special attention. It was in Florence during this period that portraiture expanded beyond the realm of rulers and their consorts to encompass women of the merchant class. This phenomenon, long known to scholars, is here presented to a larger audience for the first time. The catalogue, which accompanies an exhibition at the National Gallery of Art, traces how the humanist praise of women influenced and enlivened their depiction. It also considers how meaningful costumes and settings were chosen.
Works from outside Florence by such masters as Pisanello, Rogier van der Weyden, and Ercole Roberti shed additional light on the evolution of female portraiture during the century from c. 1440 to c. 1540. An introduction by editor and exhibition organizer David Alan Brown and four engaging essays by other experts on Renaissance art--Dale Kent, Joanna Woods-Marsden, Mary Westerman Bulgarella and Roberta Orsi Landini, and Victoria Kirkham--perfectly complement the more than one hundred illustrations, which include ninety-seven full-color plates. The catalogue entries are concise while revealing the key aspects of each portrait--from style and sources to ongoing scholarly debates. This elegant, enlightening book is itself a telling portrait not only of the art but also of the broader issues of women's freedom, responsibility, and individuality in a most exceptional era. EXHIBITION SCHEDULE National Gallery of Art, Washington, D.C. September 30, 2001-January 6, 2002
David Alan Brown is Curator of Italian Renaissance Paintings at the National Gallery of Art.
Lenders to the Exhibition 7 Forward by Earl A. Powell III 8 Acknowledgments by David Alan Brown 9 Introduction by David Alan Brown 11 Women in Renaissance Florence by Dale Kent 25 Poetic Ideals of Love and Beauty by Victoria Kirkham 49 Portrait of the Lady, 1430-1520 by Joanna Woods-Marsden 63 Costume in Fifteenth-Century Florentine Portraits of Women by Roberta Orsi Landini and Mary Westerman Bulgarella Catalog of the Exhibition 99 Index 231
| Erscheint lt. Verlag | 26.1.2003 |
|---|---|
| Zusatzinfo | 97 color illus., 76 halftones |
| Verlagsort | New Jersey |
| Sprache | englisch |
| Maße | 235 x 330 mm |
| Gewicht | 1503 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 0-691-11456-0 / 0691114560 |
| ISBN-13 | 978-0-691-11456-9 / 9780691114569 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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