My Body Was Left on the Street
Brill (Verlag)
978-90-04-41589-8 (ISBN)
Displacement, relocation, dissociation: each of these terms elicits images of mass migration, homelessness, statelessness, or outsiderness of many kinds, too numerous to name. This book aims to create opportunities for scholars, practitioners, and silenced voices to share theories and stories of progressive and transgressive music pedagogies that challenge the ways music educators and learners think about and practice their arts relative to displacement.
Displacement is defined as encompassing all those who have been forced away from their locations by political, social, economic, climate, and resource change, injustice, and insecurity. This includes:
- refugees and internally displaced persons;
- forced migrants;
- indigenous communities who have been forced off their traditional lands;
- people who have fled homes because of their gender identity and sexual orientation;
- imprisoned individuals;
- persons who seek refuge for reasons of domestic and social violence;
- homeless persons and others who live in transient spaces;
- the disabled, who are relocated involuntarily; and
- the culturally dispossessed, whose languages and heritage have been taken away from them.
In the context of the first ever book on displacement and music education, the authors connect displacement to what music might become to those peoples who find themselves between spaces, parted from the familiar and the familial. Through, in, and because of a variety of musical participations, they contend that displaced peoples might find comfort, inclusion, and welcome of some kinds either in making new music or remembering and reconfiguring past musical experiences.
Contributors are: #4459, Efi Averof Michailidou, Kat Bawden, Rachel Beckles Willson, Marie Bejstam, Rhoda Bernard, Michele Cantoni, Mary L. Cohen, Wayland “X” Coleman, Samantha Dieckmann, Irene (Peace) Ebhohon, Con Fullam, Erin Guinup, Micah Hendler, Hala Jaber, Shaylene Johnson, Arsène Kapikian, Tou SaiKo Lee, Sarah Mandie, David Nnadi, Marcia Ostashewski, Ulrike Präger, Q, Kate Richards Geller, Charlotte Rider, Matt Sakakeeny, Tim Seelig, Katherine Seybert, Brian Sullivan, Mathilde Vittu, Derrick Washington, Henriette Weber, Mai Yang Xiong, Keng Chris Yang, and Nelli Yurina.
Kính T. Vũ is an assistant professor of music at Boston University where he teaches music education courses in general music, instrumental pedagogy, history, and philosophy. Focusing his teaching, learning, and research model on innovation and justice, Kính’s pedagogy is community-based with partnerships emerging in Boston and internationally. His current research centers on exploring connections between music education and forced human displacement in Cambodia, and Vũ’s homeland Việt Nam, where he was abandoned at the end of the American War. André de Quadros is a professor of music at Boston University, where he holds affiliated positions in African, Asian, Muslim studies, and prison education. His professional work as a scholar, musician, teacher, and activist have taken him to the most diverse settings in more than forty countries.
Foreword: Slippers and a Broken Guitar [in English and Farsi]
Behrouz Boochani
Foreword: Expunging Confusion; Filling Emptiness
Patricia Shehan Campbell
Acknowledgements
Illustrations
Notes on Contributors
A Note Regarding Media Links
Part 1: The Setting
1 Charting the Land(s)-scape(s)
Andre de Quadros and Kinh T. Vu
2 From Boy in a Boat to Searching for Song
Andre de Quadros
3 Displacement and Music Education: Background, Issues, Paradigms
Andre de Quadros
4 My Body Was Left on the Street: Making Pathways toward Home
Kinh T. Vu
Part 2: Process/Pedagogy
5 The Individual outside the Community: Music Education for Fraught Spaces
Rachel Beckles Willson
6 Traveling the Broken Road: Displacement and Song Writing in a Prison Setting
#4459
7 Liminal Spaces: Music-Making in Correctional Contexts
Brian Sullivan, Mary Cohen and Katherine Seybert
8 Shattering Barriers: Exposing and Understanding the Narratives and Rhetorics about Musicians with Disabilities
Rhoda Bernard
9 Remember Me for the Love That I Have in Me
Wayland "X" Coleman
10 What If Their Story were Your Story? Lessons from Starting a Refugee Choir
Erin Guinup
11 Street Stops and Mountain Tops: The Voice of Hip-Hop
Tou SaiKo Lee, Mai Yang Xiong and Keng Chris Yang
12 "You Play Me Your Music and I'll Play You Mine": Munich's First Smart (Phone) Party
Ulrike Prager
13 Music in the Margins of America: Black Marching Bands in Post-Katrina New Orleans
Matt Sakakeeny
Part 3: Belonging
14 !Que Linda!
Kate Richards Geller and Kat Bawden
15 A Citizen without a Home
Ismael "Q" Garcia-Vega
16 Voices of Peace: Ancient Queens Bringing Peace in a New World
Sarah Mandie
17 KoerKraft: The Power of Choral Singing as a Way towards Inclusion and Integration
Marie Bejstam and Charlotte Rider
18 Navigating the Borderline: An Exploration inside a Community Music Workshop
Hala Jaber
19 Pihcintu: Young Women Whose Voices Carry Far
Con Fullam
20 Polyphonica: Bonding through Music
Efi Averof Michailidou, David Nnadi, Irene (Peace) Ebhohon and Nelly Yurina
21 Coming out Twice, Singing All the Way
Timothy Seelig
Part 4: Land(s) and Culture
22 Addressing Tribalism in Displacement: Self-Directed Musical Activities in Blacktown's South Sudanese Community
Samantha Dieckmann
23 Waves of Freedom Through Singing
Mathilde Vittu and Michele Cantoni
24 Singing for Life in South Madagascar
Arsene Kapikian
25 "'Cause I'm Gonna Make This Place Your Home": The Jerusalem Youth Chorus
Micah Hendler
26 Relocation, Research and Reconciliation in Unama'ki
Marcia Ostashewski and Shaylene Johnson
27 Taking back Cape Town: Music Education in the Townships
Henriette Weber
28 ... Wandered to Find a Rhythm
Derrick Washington
Index
| Erscheinungsdatum | 26.05.2020 |
|---|---|
| Reihe/Serie | Innovations and Controversies: Interrogating Educational Change ; 10 |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Gewicht | 630 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| Sozialwissenschaften ► Pädagogik | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 90-04-41589-0 / 9004415890 |
| ISBN-13 | 978-90-04-41589-8 / 9789004415898 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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