Cannibal Culture
Art, Appropriation, And The Commodification Of Difference
Seiten
2019
Routledge (Verlag)
978-0-367-31477-4 (ISBN)
Routledge (Verlag)
978-0-367-31477-4 (ISBN)
An examination of the ways in which Western art and commerce co-opt and trivialize American Indian art and imagery. The author raises questions about how people travel, what they buy, and how they determine cultural merit.
In Arizona, a white family buys a Navajo-style blanket to be used on the guest-room bed. Across the country in New York, opera patrons weep to the death scene of Madam Butterfly. These seemingly unrelated events intertwine in Cannibal Culture as Deborah Root examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-cal
In Arizona, a white family buys a Navajo-style blanket to be used on the guest-room bed. Across the country in New York, opera patrons weep to the death scene of Madam Butterfly. These seemingly unrelated events intertwine in Cannibal Culture as Deborah Root examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-cal
Deborah Root teaches art history at the Ontario College of Art and postcolonial theory in the Faculty of Architecture and Landscape Architecture at the University of Toronto.
Preface -- Fat-Eaters and Aesthetes: The Politics of Display -- The Luxurious Ambivalence of Exoticism -- Conquest, Appropriation, and Cultural Difference -- Art and Taxidermy: The Warehouse of Treasures -- Dreams and Landscapes: The Delineation of Wild Spaces -- The Smoking Mirror
| Erscheinungsdatum | 02.09.2019 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater |
| ISBN-10 | 0-367-31477-0 / 0367314770 |
| ISBN-13 | 978-0-367-31477-4 / 9780367314774 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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