Making Images Move
University of California Press (Verlag)
978-0-520-30273-0 (ISBN)
Gregory Zinman is Assistant Professor of Film and Media in the School of Literature, Media, and Communication at the Georgia Institute of Technology and is a coeditor, with John Hanhardt and Edith Decker-Phillips, of We Are in Open Circuits: Writings by Nam June Paik.
List of Illustrations
Acknowledgments
Introduction
A Shadow History of the Moving Image
PART I. HANDMADE FILM
1. Between Canvas and Celluloid
Visual Music, Motion Paintings, and Cameraless Photography
2. Abstractions in Time
Painting and Scratching on Film
3. By Chemical, by Body, by Mechanism
Other Handmade Methods
4. Beyond the Frame
Cameraless Questions of Politics and Representation
PART II. HANDMADE MOVING IMAGES
5. Light in Motion
The Moving Image between the Plastic Arts and Cinema
6. Making Space, Making Time
Light Art of the 1950s and 1960s
7. Forms of Radiance
The Practice and Significance of the Psychedelic Light Show
8. Video Art
Analog Circuit Palettes, Cathode Ray Canvases
Conclusion
Handmade Moving Images in the Digital Era
Notes
Index
| Erscheinungsdatum | 07.03.2019 |
|---|---|
| Zusatzinfo | 100 color images |
| Verlagsort | Berkerley |
| Sprache | englisch |
| Maße | 178 x 254 mm |
| Gewicht | 998 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 0-520-30273-7 / 0520302737 |
| ISBN-13 | 978-0-520-30273-0 / 9780520302730 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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