"Was deutsch und echt..."
Richard Wagner and the Articulation of a German Opera, 1798-1876
Seiten
This book shows nineteenth-century German opera’s entanglement with national identity formation, adding a significant perspective to discussions about Wagner’s relation to German nationalism by interpreting his esthetic endeavors as a continuation of previous campaigns for the genre’s emancipation.
By examining theoretical debates about the nature of nineteenth-century German opera and analyzing the genre’s development and its international dissemination, this book shows German opera’s entanglement with national identity formation. The thorough study of German opera debates in the first half of the nineteenth century highlights the esthetic and ideological significance of this relatively neglected repertoire, and helps to contextualize Richard Wagner’s attempts to define German opera and to gain a reputation as the German opera composer par excellence. By interpreting Wagner’s esthetic endeavors as a continuation of previous campaigns for the emancipation of German opera, this book adds an original and significant perspective to discussions about Wagner’s relation to German nationalism.
By examining theoretical debates about the nature of nineteenth-century German opera and analyzing the genre’s development and its international dissemination, this book shows German opera’s entanglement with national identity formation. The thorough study of German opera debates in the first half of the nineteenth century highlights the esthetic and ideological significance of this relatively neglected repertoire, and helps to contextualize Richard Wagner’s attempts to define German opera and to gain a reputation as the German opera composer par excellence. By interpreting Wagner’s esthetic endeavors as a continuation of previous campaigns for the emancipation of German opera, this book adds an original and significant perspective to discussions about Wagner’s relation to German nationalism.
Kasper van Kooten, Ph.D. (2016), University of Amsterdam, currently works for classical music label PENTATONE. He has published on the operas of Giacomo Puccini, Richard Wagner and Hippolyte Chélard, amongst others.
| Erscheinungsdatum | 02.08.2019 |
|---|---|
| Reihe/Serie | National Cultivation of Culture ; 17 |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Gewicht | 634 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| ISBN-10 | 90-04-20681-7 / 9004206817 |
| ISBN-13 | 978-90-04-20681-6 / 9789004206816 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Die Revolution des Gemeinen Mannes
Buch | Softcover (2024)
C.H.Beck (Verlag)
CHF 16,80
Eine Geschichte des Geschmacks
Buch | Hardcover (2025)
C.H.Beck (Verlag)
CHF 49,95