Global Pop
World Music, World Markets
Seiten
1997
Routledge (Verlag)
978-0-415-91872-5 (ISBN)
Routledge (Verlag)
978-0-415-91872-5 (ISBN)
From the Tibetan Buddhist and Native American influences to the arresting blend of Jamaican dancehall, rap and bhangra of Apache Indian, Global Pop examines the rise of 'world music' and 'world beat'.
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.
Timothy D. Taylor is Assistant Professor of Music at Columbia University.
1. Popular Musics and Globalization 2. "Nothin' but the Same Old Story": Old Hegemonies, New Musics 3. Strategies of Resistance 4. A Music of One's Own 5. Strategic Inauthenticity 6. Anglo-Asian Self-Fashioning 7. Toward a More Perfect Union: Cross-Cultural Collaborations 8. Conclusions: We Are the World, and the World Is Us
| Erscheint lt. Verlag | 28.8.1997 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 178 x 229 mm |
| Gewicht | 540 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| ISBN-10 | 0-415-91872-3 / 0415918723 |
| ISBN-13 | 978-0-415-91872-5 / 9780415918725 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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