Modern Jewish Art
Definitions, Problems, and Opportunities
Seiten
2019
Brill (Verlag)
978-90-04-39323-3 (ISBN)
Brill (Verlag)
978-90-04-39323-3 (ISBN)
Ori Z. Soltes considers the emerging and evolving discussion on and the expanding array of practitioners of ‘Jewish art’ in the past two hundred years—beginning with the issue of defining ‘Judaism’ and ‘Jewish art.’
In Modern Jewish Art: Definitions, Problems, and Opportunities, Ori Z. Soltes considers both the emerging and evolving discussion on, and the expanding array of practitioners of ‘Jewish art’ in the past two hundred years. He notes the developing problem of how to define ‘Judaism’ in the 19th century—as a religion, a culture, a race, a nation, a people—and thus the complications for placing ‘Jewish art’ under the extended umbrella of ‘religion and the arts.’ The fluidity with which one must engage the subject is reflected in the broadening conceptual and visual vocabulary, the extended range of subject foci and media, and the increasingly rich analytical approaches to the subject that have surfaced particularly in the past fifty years. Well-known and little-known artists are included in a far-ranging discussion of painting, sculpture, photography, video, installations, ceremonial objects, and works that blur the boundaries between categories.
In Modern Jewish Art: Definitions, Problems, and Opportunities, Ori Z. Soltes considers both the emerging and evolving discussion on, and the expanding array of practitioners of ‘Jewish art’ in the past two hundred years. He notes the developing problem of how to define ‘Judaism’ in the 19th century—as a religion, a culture, a race, a nation, a people—and thus the complications for placing ‘Jewish art’ under the extended umbrella of ‘religion and the arts.’ The fluidity with which one must engage the subject is reflected in the broadening conceptual and visual vocabulary, the extended range of subject foci and media, and the increasingly rich analytical approaches to the subject that have surfaced particularly in the past fifty years. Well-known and little-known artists are included in a far-ranging discussion of painting, sculpture, photography, video, installations, ceremonial objects, and works that blur the boundaries between categories.
Ori Z. Soltes, PhD (2005), Union University, is Teaching Professor at the Center for Jewish Civilization at Georgetown University. Recent books include Tradition and Transformation: Three Millennia of Jewish Art & Architecture (2016) and Magic and Religion in the Greco-Roman World: The Beginnings of Judaism and Christianity (2017).
| Erscheinungsdatum | 21.01.2019 |
|---|---|
| Reihe/Serie | Brill Research Perspectives in Religion and the Arts |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Gewicht | 194 g |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Religion / Theologie ► Judentum | |
| ISBN-10 | 90-04-39323-4 / 9004393234 |
| ISBN-13 | 978-90-04-39323-3 / 9789004393233 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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