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Singing, Acting and Movement in Opera

A Guide to Singer-getics

(Autor)

Buch | Hardcover
176 Seiten
2002
Indiana University Press (Verlag)
9780253341136 (ISBN)
CHF 59,95 inkl. MwSt
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A practical guide to the integration of voice, acting, and movement in opera performance. This work provides an overview of dramatic methodology for the singing actor. It presents information about stagecraft, characterisation, posture, historical styles, performance anxiety, aria, and scene analysis.
"Singing, Acting, and Movement in Opera: A Guide to Singer-getics" is especially designed for use in opera and musical theatre workshops on the university level, and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor that encourages the student's active participation, with practical exercises and applications to well-known opera excerpts. The Singer-getics method emphasises the integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterisation, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." This lively book will appeal to students, teachers, professionals, and general readers alike.

Preliminary Table of Contents: Contents Foreword: A Message from Tito Capobianco List of Interviews Using the Guidebook I. PREPARATION 1. Body Awareness: Stretching For Flexibility and Power 2. Postural: Aligning the Body 3. The Expressive Face: Communicating Emotions Onstage 4. Character Study: Decoding the Clues to Character 5. Environment: Setting the Stage II. INTEGRATION 6. Elements of Stagecraft: Learning the Language 7. Historical Etiquette: Bowing to Tradition 8. Improvisation: Unlocking the Imagination 9. Monologues: Talking Opera 10. Physical Analysis: Moving in Character III. APPLICATION 11. The Aria: Making Choices 12. The Scene: Putting it all Together 13. The Opera: Preparing a Role 14. Performance Anxiety: Facing Fear 15. Careers in Opera: Stepping Out Appendix A: Attitude Chart; Appendix B: "Postural Alignment" by Emily Bogard; Appendix C: Literary Background of Selected Operas; Appendix D: Stage Manager's Handbook; Appendix E: Stage Combat: Faints, Falls, and Fights; Bibliography

Erscheint lt. Verlag 1.8.2002
Verlagsort Bloomington, IN
Sprache englisch
Maße 154 x 228 mm
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
Kunst / Musik / Theater Theater / Ballett
ISBN-13 9780253341136 / 9780253341136
Zustand Neuware
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