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Odysseys of Recognition - Ellwood Wiggins

Odysseys of Recognition

Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist

(Autor)

Buch | Softcover
342 Seiten
2019
Bucknell University Press,U.S. (Verlag)
978-1-68448-037-1 (ISBN)
CHF 48,85 inkl. MwSt
Claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity.
Literary recognition is a technical term for a climactic plot device. Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity. Through strategic readings of Aristotle, this elegantly written, innovative study recovers an understanding of interpersonal recognition that has become strange and counterintuitive. Penelope in Homer’s Odyssey offers a model for agency in ethical knowledge that has a lot to teach us today. Early modern and eighteenth-century characters, meanwhile, discover themselves not deep within an impenetrable self, but in the interpersonal space between people in the world. Recognition, Wiggins contends, is the moment in which epistemology and ethics coincide: in which what we know becomes manifest in what we do.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Ellwood Wiggins is an assistant professor of German at the University of Washington in Seattle.

 
Overview of Contents ... vii
Illustrations ... viii
Abbreviations ... ix
A Note on Translations and Orthography ... xi
Introduction: Performing Recognition ... 1
     Interiority Illusion
     Instantaneousness Illusion
     Recognition as Performance
     Aims and Scope of Readings

Part I. Marking the Limits of Recognition: Between Aristotle and the Odyssey ... 31
1 “Just as the name itself signifies”: Under the Sign of Recognition ... 37
     Nostalgia and Recognition
     Recognitions in Mycenae and Sparta
     Nostalgic Recognition and Epic Afterness
     Self-signification and the Nostalgia of Semiotics
2 “Recognition is a change”: Performance in Motion ... 84
     Rhapsodic Mimesis and Narration
     Change in Aristotle’s Physics and Poetics
     Crying for Show in the Odyssey
     Recognition in Performance Theory and Moral Philosophy
3 “From ignorance to knowledge”: Penelope’s Poetological Epistemology ... 131
     Penelopean Epistemology (Reading Penelope)
     Penelopean Poetics (Penelope Reading)
4 “Into friendship or enmity”: An Ethics of Authentic Deception ... 164
5 “For those bound for good or bad fortune”: Casualties of Recognition ... 193

Part II.    Outing Interiority: Modern Recognitions ... 211
6 Self-Knowledge Between Plato and Shakespeare: Alcibiades and Troilus and Cressida ... 218
     Philosophy or Theater?
     Mirrored Dramatic Structures
     Mirrored Selves
7 Metamorphoses of Recognition: Goethe’s “Fortunate Event” ... 248
     “GlÜckliches Ereignis” as Anagnorisis Scene
     Recognizing Action: Visualizing Stories
     Recognizing Things: Experiencing Ideas
     Recognizing People: Moving Tableaux
8 Epistemologies of Recognition: Goethe’s Iphigenie auf Tauris and the Spectacle of Catharsis ... 292
     Spirals of Intertextual Performance
     Intertextual Intersubjectivity
     Intertextual Spectacle
     The Effects of Tragedy
9 Politics of Recognition: Friends, Enemies, and Goethe’s Iphigenie ... 324
     Between Recognition and Acknowledgement
     The Exception of Friendship
     The Promise of Politics
10 The Fate of Recognition: Kleist’s Penthesilea ... 361
     The Mirrored Gaze
     Plays within Plays
Concluding Reflections: Signifying Silence in Blumenberg and Kafka ... 403
Acknowledgements ... 417
Bibliography ... 421
Index ... 448
About the Author ... 449

Erscheinungsdatum
Reihe/Serie New Studies in the Age of Goethe
Zusatzinfo 2 tables
Sprache englisch
Maße 152 x 229 mm
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Philosophie
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-68448-037-X / 168448037X
ISBN-13 978-1-68448-037-1 / 9781684480371
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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