A Companion to French Art
Wiley-Blackwell (Verlag)
978-1-119-37046-8 (ISBN)
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Charting the artistic eras from the transformative upheavals of the French Revolution to the dynamic global intersections of contemporary art in the 21st century, A Companion to French Art, 1789 to the Present provides an unparalleled analysis of French art. Edited by Richard Taws and Natalie Adamson, this authoritative volume offers new ways to consider the broad history of French art through critical attention to diverse objects, mediums, and practices that have shaped French art across centuries.
Shedding new light on how art has interacted with and challenged established narratives, this volume features 30 essays by leading and emerging scholars, offering insights into a wide range of topics, including revolutionary iconography, modernist movements, colonial legacies, and contemporary art's engagement with global issues. Going beyond traditional frameworks, these chapters present new methodologies and innovative interpretations that reflect the evolving questions and challenges in art history. Addressing essential themes while expanding the boundaries of how French art is understood today, A Companion to French Art, 1789 to the Present:
Offers comprehensive coverage of French art with a uniquely wide topical and temporal scope
Examines diverse media and materials including painting, sculpture, photography, film, ceramics, industrial design, and fashion
Engages with cutting-edge methodologies such as post-colonial critique and feminist theory
Draws on in-depth archival research and previously unexplored materials for fresh insights
Essential for undergraduate and postgraduate courses in French art history, A Companion to French Art, 1789 to the Present is also an invaluable resource for academics, museum professionals, and researchers worldwide.
NATALIE ADAMSON is Professor in the School of Art History, University of St Andrews, Scotland. She specialises in the art, politics and cultural history of twentieth-century France. Her publications include Painting, Politics and the Struggle for the École de Paris, 1944-1964 and the co-edited volumes Academics, Pompiers, Official Artists and the Arrière-Garde: Defining Modern and Traditional in France, 1900-1960 and Material Imagination: Postwar European Art, 1946-1971. RICHARD TAWS is Professor in the History of Art Department at University College London. His work focuses on the intersections of art, media, and politics in modern France. His publications include Time Machines: Telegraphic Images in Nineteenth-Century France and The Politics of the Provisional: Art and Ephemera in Revolutionary France. He has also co-edited volumes on art, technology, and media in early modern and modern Europe.
List of Contributors ix
Author Biographies xi
Preface xix
Acknowledgments xxi
Introduction 1
Part 1 Post-Revolutionary Visions 19
1 The Smiling Face of Terror: Étienne Béricourt's French Revolution 21
Richard Taws
2 After the Terror, Passing Scenes: Historical Experience in Robertson's Paris Phantasmagoria 39
Jillian Lerner
3 Portraits and Pathologies: Clinical Pictures in Early Nineteenth-Century France 59
Mechthild Fend
4 Costuming in History Painting 77
Susan L. Siegfried
5 The Déjeuner Culture et récolte du cacao: Staging Fantasies of Regression in Nineteenth-Century French Porcelain 95
Iris Moon
6 The Album des Deux Frontières: Lithography at the Nation's Limit 113
Kelly Presutti
Part 2 Materialising Modernity 129
7 The Ground of Painting :Modernism and Materiality in Gustave Courbet's L'atelier du peintre (1855) 131
Veronica Peselmann
8 Designing with Iron in Mid-Nineteenth-Century France 149
Amy F. Ogata
9 Camille Pissarro at the Crossroad of the Plantation 167
Helene Engnes Birkeli
10 Gloomy Renoir 189
Hollis Clayson
11 Playing Doctor with Toulouse-Lautrec: Male Friendship, Medicine, and Identity 205
Mary Hunter
12 Monet's Series Reconsidered: Instantaneity in Standard Time 223
André Dombrowski
Part 3 Media, Publics, Subjects 241
13 In the Tradition: Grappling with the Past in the Long Nineteenth Century 243
Neil McWilliam
14 Precious Works of Art: Rodin's Hanakos and Hanako's Rodins 261
Juliet Bellow
15 L'Inhumaine (1924), the "Plastic" Arts, and Cinematic Specificity 281
alcolm Turvey
16 The Public Turn in French Art during the 1930s 299
Toby Norris
17 Surrealism: Revolution of the "Never Seen" 317
Susan Laxton
18 The Film Photo-Novel "Made in France" 335
Jan Baetens
Part 4 Contesting the Nation 349
19 Entangled Modernisms: Vietnamese Modern Art in Paris 351
Phoebe Scott
20 "What the Black Man Contributes": Présence Africaine, l'art nègre, and Modernism in Post-War Paris 373
Alastair Wright and Kathleen Rawlings
21 Bidonville Aesthetics and Genealogies of Modernity from Algiers, 1953/1963 393
Sheila Crane
22 Universality as a Radical Form: The Philips Pavilion at Expo 58 411
Noit Banai
23 The World in Question: Post-Imperial Solidarities in Narrative Figuration 429
Ming Tiampo
24 The "École de Paris" in Dakar 449
Maureen Murphy
Part 5 Archives of the Present 467
25 Building the "Museum Without Walls": Innovations in Photographic Art Reproduction in France, 1860–1960 469
Kim Timby
26 Unlearning at the École des Beaux-Arts de Paris 491
Déborah Laks
27 Seeing the Dark Continent in the City of Light: Women's Transnational Networks in 1970's Paris, Capital of the Arts 509
Rakhee Balaram
28 Art and Fashion in the 1980s 529
Sophie Cras
29 Photographic Investigations: Between Art, Human Sciences, and Investigative Journalism 545
Danièle Méaux
30 Unsunk Archives: The Resurfacing of Colonial Historical Records in Contemporary Art 563
Katarzyna Falęcka
Index
| Erscheinungsdatum | 31.12.2019 |
|---|---|
| Reihe/Serie | Blackwell Companions to Art History |
| Verlagsort | Hoboken |
| Sprache | englisch |
| Maße | 170 x 244 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-119-37046-9 / 1119370469 |
| ISBN-13 | 978-1-119-37046-8 / 9781119370468 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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