Art for Animals
Visual Culture and Animal Advocacy, 1870–1914
Seiten
2018
Pennsylvania State University Press (Verlag)
978-0-271-08009-3 (ISBN)
Pennsylvania State University Press (Verlag)
978-0-271-08009-3 (ISBN)
Explores the ways in which visual imagery was used for animal advocacy campaigns in the late nineteenth and early twentieth centuries, and the ways in which these images were created, circulated, and consumed in a wide range of cultural contexts.
Animal rights activists today regularly use visual imagery in their efforts to shape the public’s understanding of what it means to be “kind,” “cruel,” and “inhumane” toward animals. Art for Animals explores the early history of this form of advocacy through the images and the people who harnessed their power.
Following in the footsteps of earlier-formed organizations like the RSPCA and ASPCA, animal advocacy groups such as the Victoria Street Society for the Protection of Animals from Vivisection made significant use of visual art in literature and campaign materials. But, enabled by new and improved technologies and techniques, they took the imagery much further than their predecessors did, turning toward vivid, pointed, and at times graphic depictions of human-animal interactions. Keri Cronin explains why the activist community embraced this approach, details how the use of such tools played a critical role in educational and reform movements in the United States, Canada, and England, and traces their impact in public and private spaces. Far from being peripheral illustrations of points articulated in written texts or argued in impassioned speeches, these photographs, prints, paintings, exhibitions, “magic lantern” slides, and films were key components of animal advocacy at the time, both educating the general public and creating a sense of shared identity among the reformers.
Uniquely focused on imagery from the early days of the animal rights movement and filled with striking visuals, Art for Animals sheds new light on the history and development of modern animal advocacy.
Animal rights activists today regularly use visual imagery in their efforts to shape the public’s understanding of what it means to be “kind,” “cruel,” and “inhumane” toward animals. Art for Animals explores the early history of this form of advocacy through the images and the people who harnessed their power.
Following in the footsteps of earlier-formed organizations like the RSPCA and ASPCA, animal advocacy groups such as the Victoria Street Society for the Protection of Animals from Vivisection made significant use of visual art in literature and campaign materials. But, enabled by new and improved technologies and techniques, they took the imagery much further than their predecessors did, turning toward vivid, pointed, and at times graphic depictions of human-animal interactions. Keri Cronin explains why the activist community embraced this approach, details how the use of such tools played a critical role in educational and reform movements in the United States, Canada, and England, and traces their impact in public and private spaces. Far from being peripheral illustrations of points articulated in written texts or argued in impassioned speeches, these photographs, prints, paintings, exhibitions, “magic lantern” slides, and films were key components of animal advocacy at the time, both educating the general public and creating a sense of shared identity among the reformers.
Uniquely focused on imagery from the early days of the animal rights movement and filled with striking visuals, Art for Animals sheds new light on the history and development of modern animal advocacy.
J. Keri Cronin is Associate Professor of Visual Arts at Brock University. She is the author of Manufacturing National Park Nature: Photography, Ecology, and the Wilderness Industry of Jasper.
Contents
List of Illustrations
Acknowledgments
Introduction
1 Educate Them Artistically
2 Bearing Witness
3 Imaginative Leaps
4 In the Public Eye
5 Advocacy at Home
Conclusion: What Might Be
Notes
Bibliography
Index
| Erscheinungsdatum | 12.06.2018 |
|---|---|
| Reihe/Serie | Animalibus |
| Zusatzinfo | 53 Halftones, black and white |
| Verlagsort | University Park |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 499 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-271-08009-4 / 0271080094 |
| ISBN-13 | 978-0-271-08009-3 / 9780271080093 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Geschichte einer wilden Handlung
Buch | Hardcover (2024)
C.H.Beck (Verlag)
CHF 47,60
