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Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150 - Karen Rose Mathews

Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150

Buch | Hardcover
248 Seiten
2018
Brill (Verlag)
978-90-04-33565-3 (ISBN)
CHF 145,30 inkl. MwSt
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In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150, Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.

Karen Rose Mathews, Ph.D. (1995), University of Chicago, is an Assistant Professor of Art History at the University of Miami. She has published extensively on the use of spolia in the visual culture of the Mediterranean, concentrating on the artistic production of medieval Italy.

Acknowledgments
List of Illustrations
Introduction: Visualizing Commerce and Conflict in the Maritime Cities of Medieval Italy
  Conflict and Commerce in the Medieval Mediterranean
  Visualizing the Relationship between Trade and Conflict Through an Aesthetic of Appropriation

1 Local Traditions and Norman Innovations in the Artistic Culture of Southern Italy
  Introduction
  Local Traders and Norman Warriors in Southern Italy
  Forging an Amalfitan International Style: The Art Patronage of the Local Elite
  Norman Architectural Patronage and the Spolia Aesthetic
2 Emulation of and Appropriation from Byzantium in Venetian Visual Culture
  Introduction
  Conflict, Trade, and the Venetian Presence in the Eastern Mediterranean
  Appropriated Relics from Byzantium
  Relics, Spoils, and Spolia in Venetian Art and Architecture
3 The Interplay of Islamic and Ancient Roman Spolia on Pisan Churches
  Introduction
  Commerce and Conflict in Eleventh and Twelfth-century Pisa
  The Signification of Ancient and Contemporary Muslim Spoils onPisan Churches
4 Rivalry with Pisa and Spolia as Plunder of War in Medieval Genoa
  Introduction
  Crusade Campaigns and Commercial Compensation
  Spolia as Plunder in the Art and Architecture of Genoa
  The Aesthetic of Appropriation and Competition with Pisa
Conclusion: Shifting Significations of the Spolia Aesthetic
Select Bibliography
  Primary Sources
  Secondary Sources

Erscheinungsdatum
Reihe/Serie The Medieval Mediterranean ; 112
Verlagsort Leiden
Sprache englisch
Maße 155 x 235 mm
Gewicht 350 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geisteswissenschaften Archäologie
Geschichte Allgemeine Geschichte Mittelalter
ISBN-10 90-04-33565-X / 900433565X
ISBN-13 978-90-04-33565-3 / 9789004335653
Zustand Neuware
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