Photography and Sculpture - The Art Object in Reproduction
Seiten
2017
Getty Publications (Verlag)
978-1-60606-534-1 (ISBN)
Getty Publications (Verlag)
978-1-60606-534-1 (ISBN)
These essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture.
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Sarah Hamill is assistant professor of modern and contemporary art at Oberlin College. Megan R. Luke is assistant professor of art history at the University of Southern California.
| Erscheinungsdatum | 01.02.2018 |
|---|---|
| Zusatzinfo | 19 color + 77 b/w illus. |
| Verlagsort | Los Angeles |
| Sprache | englisch |
| Maße | 179 x 253 mm |
| Gewicht | 946 g |
| Themenwelt | Kunst / Musik / Theater ► Fotokunst |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 1-60606-534-3 / 1606065343 |
| ISBN-13 | 978-1-60606-534-1 / 9781606065341 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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CHF 37,90
