Black Masculinity on Film

Native Sons and White Lies

Daniel O'Brien (Autor)

Buch | Hardcover

221 Seiten

2017 | 1st ed. 2017
Palgrave Macmillan (Verlag)
978-1-137-59322-1 (ISBN)

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This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.

Daniel O'Brien is Film Tutor in Medical Humanities at the University of Southampton, UK. He is a writer and historian in film studies and a film tutor in Medical Humanities. His recent publications include Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules (Palgrave Macmillan 2014).

1. Introduction.- 2. The Natives Are Still Restless: Black representation in whitened Africa from Tarzan to Mandela.- 3. A King Among Bit Players: Noble Johnson and the art of racial ambiguity.- 4. Also Known as Rochester: Eddie Anderson, black stardom and World War II.- 5. Tall and Black in the Saddle: How African-American cowboys rode out of the shadows and into the sunset.- 6. Due afro-americani a Roma: John Kitzmiller, Woody Strode and remoulding stereotypes in Italian popular cinema.- 7. Bond and Blackness: Challenging racial schism in the 007 universe.- 8. Leaving the Overlook: Black heroism and white nightmare in The Shining.- 9. Saving the World for White Folks? Will Smith racializes science fiction as black man and man in black.

Erscheinungsdatum	29.09.2017
Zusatzinfo	20 Illustrations, black and white
Verlagsort	Basingstoke
Sprache	englisch
Maße	148 x 210 mm
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Sozialwissenschaften ► Ethnologie
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
	Sozialwissenschaften ► Soziologie ► Gender Studies
Schlagworte	African-American representations • African cinema • black men on screen • cinematic black masculinity • Colonialism • colonial issues • counter-representations of black masculinity • European cinema • Gender • Hollywood • male sterotypes • Race • Racial stereotyping • representation of men • representing masculinity • western movies
ISBN-10	1-137-59322-9 / 1137593229
ISBN-13	978-1-137-59322-1 / 9781137593221
Zustand	Neuware